Saturday 14 November 2026, 7.30pm
Maxine Funke is one of Aotearoa New Zealand’s most singular and internationally celebrated experimental artists. Working primarily with voice, guitar, electronics, and field recordings, her practice occupies a liminal space between song, improvisation, and sound art — intimate in scale yet expansive in reach. Her recordings have been released on some of the most respected imprints in contemporary experimental music internationally, including Diciples (UK), World Of Echo (UK), Feeding Tube Records (USA), Looking Glass (USA), A Courful Strom (Aus) and others. She has toured Germany & Australia, performing at venues and festivals where her work is received as a vital contribution to the global free-improvisation and experimental song tradition.
In Aotearoa, Funke’s work is admired by those deep within the experimental music community, but she remains underrepresented in mainstream arts funding conversations — a common condition for artists whose primary audiences are international. She has collaborated with artists across multiple continents, maintained longstanding relationships with European experimental communities, and built a recorded catalogue of unusual depth and consistency. A 2026 European tour would see her performing to audiences for whom her records are already touchstones, while generating new work and exchange that enriches her practice on return.
Clayton Noone is among the most prolific and versatile experimental musicians working in Aotearoa today — and one of the least recognised locally relative to his standing abroad. He has led or co-led a remarkable range of projects across improvised music, post-punk, noise, and avant-garde composition, including The Futurians, CJA, the Strange Girls, Space Wolf 2, Wolfskull and Claypipe, alongside a substantial body of solo work and international collaborations. His recordings circulate widely in specialist experimental and improvised music circles in Europe, North America, and Japan, and he is regularly cited by international peers as a key figure in the Aotearoa experimental tradition.
Noone’s approach is grounded in a restless creative intelligence that resists genre categorisation. Whether performing in duo, ensemble, or solo contexts, he brings an exceptional ear, deep improvisational fluency, and a commitment to exploring the outer edges of form. His international profile has grown organically through decades of dedicated output, released across a range of international labels and distributed through networks that value experimentation over accessibility. A European tour in 2026 would place his work directly before the audiences most equipped to receive it, while opening new collaborations and opportunities for ongoing exchange.