Friday 27 March 2020, 7.30pm

Photo by Jase Coop

Loraine James + Patten


Very pleased to host a night featuring a performance from – and line-up specially curated by – North London native Loraine James; an electronic producer who effortlessly blends Electronica and IDM with whispers of jazz and ambience all wrapped up in the artists key avant-garde aesthetic and sensibility. Having recently released ‘Button Mashing’ on New York Haunted, Loraine has gone on to sign with Hyperdub for her most recent release, 'For You And I', which was recently announced as The Quietus' #1 album of 2019.

“If For You and I serves as a useful reminder that the distinction between cool, contemporary dance music and its dated, out-of-vogue counterpart is wafer-thin, its exhilarating final three songs seal that premise. At under three minutes, ‘Sick 9’ is a brief dalliance with glitch techno; on ‘Vowel // Consonant’, arpeggiated rushes and buckwild drum programming mutates from Jlin-ish post-footwork to rude junglisms; and ‘Words Ears Mouth’ is another one for the ‘sweet melodies / ruff beats’ column, the latter being the full Autechre-dipping-into-breakcore monty.

For You and I is consistent in its spirit with Hyperdub’s catalogue: often in its sound, too, although in a decade and a half the label has covered enough ground for this to be nebulous. That spirit, though, manifests itself in a defiant queerness; a grab-bag approach borne of big city multiculturalism; and a clear fascination with, and love of, sound in general.” – The Quietus


Visionary London-based producer patten is renowned for hi-tech immersive AV shows and cross-platform projects, tracing a path through design, installation, film, programming, music, live performance, and publishing. Their new album ‘FLEX' unlocks a portal into an ultramodern potent strain of shape shifting, prismatic club music. Splicing together arrays of mutated sonics, rhythms and bassweight into hallucinogenic hybrids of footwork, trap, UK garage, grime, hip-hop and techno, their alchemical productions vibrate with sonics to make soundsystems weep.