Sunday 27 January 2019, 7.30pm
A chance to hear rarely performed scores by Jurg Frey which focus on the use of electronics and multiple speakers. The pieces for the programme were selected by Jurg Frey and Phil Julian
Zwei Räume (37 mins approx)
Performer: Phil Julian
Distant Colours_vn_elect. (10 mins)
Jennifer Allum (Violin)
Phil Maguire (Electronics)
Die meisten Sachen macht man selten: 100 different sounds (10 mins)
Performer: John Macedo (Electronics)
Circular Music No. 6 (variable)
Jennifer Allum / violin
Angharad Davies / violin
Sarah Hughes / zither
Dimitra Lazaridou-Chatzigoga / zither
John Macedo / electronics
Luciano Maggiore / electronics
Phil Maguire / electronics
Phil Julian / electronics
Swiss born Jürg Frey’s music is characterised by a gentle but unorthodox harmonic beauty, and has been widely celebrated in recent years at numerous festivals and performances. His saxophone quartet ‘Mémoire, Horizon’ was composed for the Konus Quartet, and released on CD to great acclaim on the Musiques Suisses label. It was described by Brian Olewnick as “a wonderful, absorbing and thought-provoking work, possibly my favourite saxophone quartet ever….so, so great.”
Frey’s delicate piano music has also been highly praised. Reviewing ‘Circles and Landscapes’, Philip Thomas’s CD of his solo piano works, Michael Rosenstein wrote: “Thomas places each phrase and chord-set evenly across the duration of each piece and the music advances with an unwavering beauty bereft of any standard notion of melody or harmonic progression.”
And John Eyles commented: “Thomas delivers a flawless performance, leaving the listener to savour the spare beauty of the composition…Frey’s loving care and attention to detail shine through in his work. Simply exquisite.”
Jennifer Allum is a violinist who improvises and plays experimental music. While she was a post graduate student at Goldsmiths, London in 2005 she began to attend Eddie Prevost's weekly improvisation workshops and to work with composers such as Christian Wolff, Tom Johnson, Michael Pisaro and Michael Parsons. She has three recordings available from Matchless Recordings, the latest of which is a duo cd with the cellist Ute Kanngiesser, which was recorded in Hackney's historic bell tower.
Angharad Davies is a Welsh violinist, based in London, working with free-improvisation, compositions and performance.
Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte and plays with Cranc, Common Objects, Richard Dawson's band and Skogen. She has been involved in projects with Tarek Atui, Tony Conrad, Laura Cannell, Jack McNamara, Rie Nakajima, Tim Parkinson, Eliane Radigue, Roberta Jean and J.G.Thirlwell.
She has released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords. Her first orchestral piece was performed at LCMF in 2019.
Sarah Hughes is an artist, composer and performer, producing work that explores the boundaries of interdisciplinary practice, often moving between sculpture, installation, composition and music. Her work has been exhibited and performed internationally, including at South London Gallery, Cass Sculpture Foundation, Supplement, London; and V22. As a performer Hughes has played at various venues including the Musée des Beaux Arts de Nantes; The Wulf, Los Angeles; Cafe Oto, London; Parasol Unit, London; Holywell Music Hall, Oxford, and with a number of musicians including Angharad Davies, Tim Parkinson, Jürg Frey, Michael Pisaro, Antoine Beuger, Patrick Farmer, Stephen Cornford, Ryoko Akama, David Stent, and Dominic Lash. Realisations of her compositions have been published by Another Timbre Records, Suppedaneum, Consumer Waste Records and Reductive Music.
Dimitra Lazaridou-Chatzigoga (Thessaloniki, Greece) is a musician and linguist based in London. She is active in experimental and improvised music since 2006. She plays the zither, a string instrument, and uses ebows and objects on its resonance box to produce sustained or granulated sounds. Her approach focuses on the interplay between spontaneity and elaborate techniques.
Recently, Mikroton released ‘Borough’ that documents the singular meeting of ‘The Holy Quintet’ with Johnny Chang, Jamie Drouin, Dominic Lash and David Ryan.
In the last few years she has been performing mainly in and around London, while most recent shows have been in Berlin. At the moment, she is exploring multiple ways to reroute her music.
John Macedo is a sound artist and performer from London. He has incorporated everything from acoustic instruments and environmental sound to analogue and computer synthesis into recorded works, live performances and sound installations. He has a pluralistic approach which reveals and highlights the hidden potential in all sounds, environments and technologies, often in intimate, immersive and intuitive ways.
He performs live solo and has collaborated with artists and musicians such as Phil Julian, John Butcher, Graham Dunning, Tom White, Michael Speers, Artur Vidal, Adam Bohman, John Edwards, Lee Fraser, Sue Lynch, Yoni Silver, Steve Noble, Cath Roberts and more. He has had work released by Hideous Replica, Sound Holes, Beartowns Records and a releases small run and object editions on his own label, The Black Plume Editions. He also organises the monthly experimental and improvised music concert series SOLO:DUO:TRIO at the OTO Project Space.
Luciano Maggiore (Palermo 1980) lives and works in London.
Active musician in the field of electroacoustic music, in recent years he has developed a strong interest in the mechanisms of sound diffusion, using speakers and several analogue and digital devices (walkmans, CD players, tape recorders) as principal instruments. His interest is focused on the architectural and psychoacoustic as well as dynamic and directional values of sound with a strong emphasis on fixed sounds.
His works are published by Balloon & Needle, Boring Machines, Consumer Waste, Hideous Replica, Palustre, Senufo editions, 1000Füssler, Triscele Registrazioni and Tulip records.
Phil Maguire is an experimental musician/improviser/sound artist making reductive music that explores emptiness and malfunction. Simplicity is at the core of his work. He uses cheap &home-made electronics, open source software, synthesis, and obsolete audio equipment to create sparse sonic environments for personal reflection. These are often very quiet; very loud; loud made quiet; quiet made loud. Phil runs verz, a label and series presenting quiet music and sound art.
Phil Julian is a UK based composer and improviser active since the late 1990’s principally working with modular electronic devices and computers. Releases have appeared on labels including Entr'acte, Harbinger Sound and The Tapeworm with regular solo and collaborative live performances in the UK and Europe.