Sunday 1 February 2026, 7.30pm
Incantatory Disappearance gathers practitioners who are asking questions about flawed, mechanical, learning processes. Some are students, others are educators, and all of them are products of their challenge to institutionalised pedagogies. On the night, they'll tell a story, screen a song, and sell their wares. Agnes, Imi, Alfi, Natalie, will operate an expansive market with handmade synths, shirts, prints, and mind-boggling drawings. Fauzia, Bint, and extremely special guests present a semi-improvised score for the open-hearted.
FAUZIA is a multidisciplinary artist working in live, recorded music and audio-visual installations. Her work challenges the arbitrary division of genre through an extensive range of musical expression.Through the pandemic she self-released a series of attention-garnering projects – ‘Fragments, are you hoping for a miracle?’ and 'flashes in time’. The projects received glowing press from Resident Advisor, Crack Magazine, Pitchfork, The Wire and more. Her discography extends to production work for other artists like Kelela, Duval Timothy and Tirzah. Her remix for Tirzah was nominated for ‘Best Remix’ at the 2022 DJ Mag Awards.FAUZIA has been commissioned by Southbank Centre & King’s Place to present her contemporary classical works, bridging the gap between electronic and classical music. She has performed at the Tate Modern (London), La Cigale (Paris), Headrow House (Leeds), 02 Academy (London) and Pioneer Works (New York). In 2024 she opened for Patti Smith at the renowned St Paul’s Cathedral (London).
Agnes Cameron is a technician and artist who works with machines. Along with John Richards (Dirty Electronics) and Colin Therlemont, she made the More Roar synthesiser, AKA the Hedgehog. Find out more at moreroar.org
Imi is a Kurdish Alevi multi disciplinary artist working with themes of Mythology, Political Erasure, Resistance and Survival, her current project uses embroidery as a storytelling tool with streetwear basics as a canvas. Imi brings political consciousness into everyday sartorial statements, the designs are a gateway into uncomfortable conversations externalised from the body rather than held in stagnation.
Natalie Charles (she/her) is a multidisciplinary artist examining personal archives and quiet intimacies. Moving between drawing, painting, craftwork and animation, she explores the impact of overlooked moments through family stories, collected objects and her ancestral connections. She builds soft, luminous worlds that invite the viewer to reflect on their memories and emotions through hers.
Natalie is a Drawing Year 2023/4 alumnus from the Royal Drawing School and a Trustee at Packed Lunch. In 2025, she was selected for RBA Rising Stars, the Delphian Gallery Open Call and the Richard Ford Award, a funded residency at the Prado Museum in Madrid
Bint Mbareh is a musician with a curiosity about water, pedagogy and the parallels that bring together and keep separate material and unseen worlds. For example, the wave mechanics that govern both sound and water and their uncanny abilities to break borders, with a focus on Palestinian histories of water governance. Bint Mbareh scores films, like Forensic Architecture's Dawaymeh Masssacre investigation and Julie-Yara Atz' What if We Were Happy?, and she makes material work such as the dancing bucket of water she showed at the Sharjah Biennial, derived from earlier work shown at the Royal College of Art, The Tate Modern. She also convenes a choir for non-musicians, and has been regularly installed at Cafe OTO since her Youth Music Residency here in 2021. more at bintmbareh.today
Alfi Moss-White is an artist born and based in South London. Working from a personal and abstract space of experience and observation, Alfie uses photography, writing, and film to explore the intricacies of the human condition, with a particular focus on its fringe.
