Tuesday 7 February 2023, 8pm
Alexander Tucker’s new album, Fifth Continent, a posthumous collaboration with Keith Collins, Derek Jarman’s partner and collaborator. The album, which pays homage to Keith Collins, Jarman and the Kentish headland, Dungeness. Accompanying the LP is the Fifth Quarter anthology, this book brings together Jarman and Collins’ collaborators, friends, contemporary artists, writers, musicians and curators. Focusing not only on Jarman’s legacy but drawing influence from the layers of history and inspiration from the Dungeness and Romney Marsh landscape. Released on Subtext Recordings.
This great triple bill bringing together Jarman and Collins collaborators and contemporary artists who’s work feature on both the Fifth Continent LP and Fifth Quarter book.
Alexander Tucker is an artist working across music, assemblage, painting, comics, collage, sculpture, film, and live performance. Formally trained as a painter at the Slade School of Fine Art, Tucker went on to produce a series of solo albums for Chicago-based label Thrill Jockey, and for ATP Recordings, before recording as MICROCORPS for Alter. Bridging the gap between his fine art background and his work as a singer-songwriter, improviser, and electronic producer, Tucker continues to collaborate with both visual artists and experimental musicians. Collaborative projects include avant-pop electronic duo Grumbling Fur, the Grumbling Fur Time Machine Orchestra with Charlemagne Palestine, drone concrète trio NONEXISTENT, and modular duo Brood X Cycles w/ Nik Colk Void.
Maxwell Sterling is a composer, producer, musician and artist, originally from Manchester. Maxwell’s debut record Hollywood Medieval (Death of Rave, 2016) set out his fascination with the glitches between the traditions of acoustic and synthesized music. His album Turn of Phrase (AD93, 2021) takes inspiration from both Gregorian chants and hyper-modern digital processing and synthesis. Most recently in early 2022, his EP with Martha Skye Murphy, Distance on Ground (American Dreams, 2022) was released; a tape comprised of two long tracks focusing on the immediacy of musical communication.
Kenichi Iwasa is a London based improviser and multidisciplinary artist from Japan, also known for his legendary Krautrock Karaoke night, and collaborations with visual artists and musicians such as Beatrice Dillon, Maxwell Sterling and Linder Sterling.
He currently performs with Naima Karlsson under the name Exotic Sin and released LP on Blank Forms.
Most recent live & recording collaborations have been with Neneh Cherry, David Ornette Cherry, Tyson, Denardo Coleman, Rebecca Salvador, Alexander Tucker, Alexis Taylor, Visio, Heith, Finley Clark, Lutto Lento, Blood Music.
Simon Fisher Turner is renowned for his film soundtrack work which began in collaboration with Derek Jarman, for whom he scored many feature films, from Caravaggio (1986) through to Jarman’s final work Blue (1993). Caravaggio began a long relationship with the BFI, with Fisher Turner composing the score for restorations of three silent films, Un Chant D’Amour (dir. Jean Genet, 1950), The Great White Silence (dir. Herbert Ponting, 1924), and The Epic of Everest (dir. Captain John Noel, 1924), for which he won a prestigious Ivor Novello Award. His most recent work, A Quiet Corner in Time (2020), is a collaboration with the ceramist and author Edmund de Waal.
The release of Penelope Three in 2021 marked the final instalment of Penelope Trappes’ quietly mesmerising and critically acclaimed trilogy. Penelope is a UK based Australian born vocalist, musician and etherial soundscaper who spent 2016 writing and recording what would become ‘Penelope One’ in a small piano studio in East London. Composed of mostly percussionless, reverb-heavy, haunting atmospherics with dystopian themes, the LP was released via Optimo Music in 2017. Penelope signed to the stellar Houndstooth label and released her sophomore LP ‘Penelope Two’ in 2018, a minimalist, ethereal album built around field recordings, meditations, guitars, piano and reverb, which deals with mortality, predestination and empathy. 2019 saw the release of ‘Penelope Redeux’ consisting of reworks of songs from ‘Penelope Two’ by uncompromising artists, including Cosey Fanni Tutti, Mogwai, Félicia Atkinson and Nik Colk Void. The 'Eel Drip' EP was released in 2020 and ‘Penelope Three’, the final epigenetic-themed instalment of the trilogy, was released in May 2021 with a long string of UK tourdates, culminating in a live performance with the London Contemporary Orchestra at London’s Sounthbank Centre. 'Mother’s Blood', a vocal-free meditative reinterpretation of 'Penelope Three' was released on cassette at the end of that year.
“Summoning the great ghosts of vintage 4AD and Kranky, the Australian singer and producer makes inky dream pop that’s as heavy and welcoming as a weighted blanket.” - Philip Sherburne (Pitchfork)
