Simon Fisher Turner

From child actor to teenage pop idol, from self-confessed “extreme sound freak” to acclaimed solo recording artist, Simon Fisher’s career has been nothing if not varied. His early acting credits included film and TV roles from ‘Black Beauty’ to ‘The Big Sleep’ (re-made with Robert Mitchum). At the same time he was fronting various 70s pop acts, and at the age of 17 was signed to Jonathan King’s UK Records, releasing his first solo album in 1969. After that precocious start, Simon followed an often eccentric, sometimes outlandish musical path. He operated on the fringes of punk; performed briely with The The; became Musician in Residence at the ICA in 1980; released two albums as one half of a fictional French female duo know as Deux Filles. But through all this Simon was developing a deep and abiding interest in the stuff of sound, accumulating a vast library of collected sounds from daily life. It is this interest which now forms the basis of his improvisatory, eclectic approach to music making, and is manifest on his most recent solo albums on the Mute label (his discography comprises some 30 solo albums to date). From trite pop to extreme sound-freakery, the mature SFT (as he now styles himself) has arrived at a mesmeric originality. Simon’s life as a film composer stems from his association with Derek Jarman in the 1980s and 1990s. His scoring credits for Jarman included ‘Caravaggio’, ‘The Last of England’, ‘The Garden’ and ‘Edward II’. His final film for Jarman was the powerful, poignant ‘Blue’, where a soundscape recorded by Simon at Eno’s country house, together with Jarman’s AIDs-inspired spoken words, stood in for visuals - only a blue screen was projected. The film won a Michael Powell Award. His work with films has continued unabated since Jarman’s death. simonfisherturner.com

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