Thursday 29 July 2021, 7.30pm
Fieldnotes is a new quarterly arts publication with a focus on creative practices operating between genres and against type. The purpose of the journal is to provide a test site for ideas and research; a space for experimental modes and new prototypes. To coincide with the publication of its second issue, Fieldnotes presents an evening of short films and performances with Ana Vaz, Keira Greene, Zara Joan Miller and Ute Kanngiesser.
The Garden Has Gone Mad
Any chance this is the right summer? Any chance
you'll come and stay, maybe a year or two?
Here, the garden has gone mad – everything out –
the china broken among these tools
that we have made up to make up –
shears, trowels, a silver-plated emerald-encrusted
shovel, all swallowed up by your absence.
I love our blue hearts. I think often
what it is to wake up in this
waterflesh and then gather rosemary.
What it is to live in this wide house
all alone and smother the ghost
that tells me to do, to do, to do,
like a train. The orchids have grown teeth
in their mouths. As an aside, I have come
to believe my hips might be sapphire. Any chance?
Evening, shortly. Outside, the woodlice
hold an amorous feast. And in the evening,
I am very over –
Miruna Fulgeanu (2020)
- Soft Rio (film) by Zara Joan Miller
- Eustatic Drift (film) by Keira Green accompanied by a live score performed by Ute Kanngiesser
- Atomic Garden (film) by Ana Vaz
- Blue Monday, poetry reading by Zara Joan Miller
KEIRA GREENE is an artist working across film, photography, performance and text. Her work is preoccupied with the social and organic life and landscape of specific environments. Her work is produced through a collaborative and conversational practice of looking, writing and forming enduring relationships. Recent works are concerned with ideas of the body and the experience of emotion, in dialogue with an embodied filmmaking practice. Film works by Greene are distributed by LUX, she is performance curator with Whitstable Biennale.
Zara Joan Miller is a British/Iranian artist and author of poetry collection BLUE MONDAY (JOAN Publishing, 2022). She works across film, performance and print – often playing with movement and sound as a way of reimagining a body’s rhythm. Her work has recently been presented at the Barbican Centre, Horse Hospital, No.9 Cork St., Ann Arbor Film Festival, Lausanne Underground Film Festival and has appeared in Fieldnotes journal, Hotel, MAP, Another Gaze and Worms Magazine. Zara has a record with Ute Kanngießer forthcoming on Reading Group.
Ute Kanngiesser is a London based cellist and composer from Germany. Over the years, she has carefully deconstructed her classical roots and almost exclusively performs unscripted, improvised music. Much of her work has evolved in relationship with other art forms such as film, poetry, dance, and site specific performance.
Cafe Oto has been her musical home since its beginnings and where she has collaborated with a wide spectrum of local and visiting artists. She has also performed at Whitstable Biennale, The Serpentine Gallery, Tate Modern, the V&A and international festivals.
Ana Vaz is an artist and filmmaker born in the Brazilian highlands inhabited by the ghosts buried by its modernist capital: Brasília. Originally from the cerrado and wonderer by choice, Ana has lived in the arid lands of central Brazil and southern Australia, in the mangroves of northern France and in the north-eastern shores of the Atlantic. Her filmography activates and questions cinema as an art of the (in)visible and instrument capable of dehumanising the human, expanding its connections with forms of life — other than human or spectral. Consequences or expansion of her cinemato-graphy, her activities are also embodied in writing, critical pedagogy, installations or collective walks. Recent screenings of her work include: Berlinale Forum Expanded, MAM São Paulo, IFFR, Tate Modern, Palais de Tokyo, Jeu de Paume, LUX Moving Images, New York Film Festival.