Thursday 7 February 2019, 7.30pm, The Old Church, Stoke Newington
Please note that this event takes place at The Old Church, Stoke Newington.
Delighted to welcome back the great German composer, pianist and organist, Eva-Maria Houben, for a very special two-day residency alongside Irene Kurka (day one) and Áine O'Dwyer (day two).
“Houben is an archaeologist of silence. She is a musicologist and a composer; her study of the past fuels her experiments in the present. In her publications, Houben has excavated the historical silences, drawing attention to a past canon of unheard moments, stretching from John Cage to the Second Viennese School to even as far back as Berlioz and Bruckner.” – Irritable Hedgehog
Houben (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Universität Duisburg and Robert-Schumann-Hochschule Düsseldorf. Since 1993 Professor Houben has been lecturing at Dortmund University`s “Institut für Musik und Musikwissenschaft”, with both music theory and contemporary music as her focus. Up to now many books were published, concerning contemporary music, contemporary composers and traditional music, listened to with ‘new ears’.
Eva-Maria Houben has been performing works for the organ for more than 30 years. As she is related to the “wandelweiser-group” of composers, her compositions are published by “edition wandelweiser”, Haan. Her list of compositions up to now includes works for the organ, piano, clarinet, trombone, violoncello and other solo instruments, works for voice and piano, for wind and chamber ensembles, for orchestra and for voice and orchestra, works for choir.
Áine O’Dwyer is a multi-disciplinary artist, a musician, composer and performer whose work is informed by both the conceptual concerns of sound-art and traditional compositional techniques, embracing the broader aesthetics of sound and its relationship to environment, time, audience and architecture. She has created works internationally for large-scale and intimate settings which often allow for both planned and chance events to co-exist. Recent presentations include Old Songs (2025), a performance installation commissioned by Oscillation festival, Brussels and Sing in the Dark (2024), a voice and Acousmonium performance at Archipel festival, Switzerland.