Thursday 17 March 2022, 8pm
Trevor Watts / alto, soprano, composer
Veryan Weston / piano, synth
Jamie Harris / congas, percussion
Eternal Triangle play the music of Trevor Watts, compositions originally inspired by rhythmic structures from Africa and South America as well as jazz and European musical forms.
The trio is built on two duos: Veryan and Trevor first played together in Trevor's “Moiré Music” in the early 1980s and since then have had a long collaboration in the 'Dialogues' project where their work as open improvisers was explored together for many years worldwide. The second duo consists of Jamie and Trevor where Jamie was involved in Trevor's 'Celebration Band' in the 2000s and later in a very successful duo touring worldwide and recording several CDs. The third duo with Veryan and Jamie is yet to be explored!
In July 2021 the three musicians began working together on some beautiful new pieces specifically conceived by Trevor. The development of these compositions, for instance, can happen during rehearsals or during a concert. Any player in the group can discover something new within each piece, and therefore the compositions are ever changing. The strengths of this trio are like the durable and inert strength of a triangle, where each side supports the other - 'Eternal Triangle'. This is a music with a depth that is both expansive and honest.
The only founder member of The Spontaneous Music Ensemble still alive. He also founded Amalgam (which included Keith Rowe) and his 1980s Moire Music Group which included Veryan Weston & Peter Knight as well as Phil Minton/Pinise Saul/Lol Coxhill many more and The Drum Orchestra (1980-1997), which involved musicians mainly from Ghana (ECM 1449 CD “A Wider Embrace”). He instigated the 35 piece collaboration with the Drum Orchestra and Teatro Negro de Barlovento (Venezuela) which toured here and also in Venezuela in the 1990’s and around the World on every continent. Other prominent musicians he’s played with include Don Cherry, Archie Shepp, Steve Lacy, Kent Carter, Rashied Ali, Steve Swallow, Bobby Bradford, Cyro Baptista and Stan Tracey. Currently (2016) his main involvement is one part of a long standing duo with pianist Veryan Weston. This duo have been highly acclaimed for their recordings and “live” appearances. They have toured in Brasil, USA, Canada, Australia & N Zealand together amongst many other places. They have formed a trio also with Cyro Baptista. Other important collaborations for Trevor are with Gibran Cervantes from Mexico and master Djembe player Adama Drame in Burkina Faso (W.Africa). Master Classes include Universities of Alabama and Arkansas, Leeds College of Music amongst others. Moire Music Drum Orchestra was the first group to visit Burma for around 15 years in the 1990’s and played a 2nd time there. Also in Cameroon, S Africa, Sarawak, Trinidad, Bahamas, Columbia, Bolivia, Ecuador, Botswana, the Khartoum Festival in Sudan with a large group of Sudanese musicians and so on.
Compositional commissions include the U.K. theatre production of "The Connection" by American playwright Jack Gelber (Hampstead Theatre) in 1973 directed by Michael Rudman who became director of the National Theatre in London; Welfare State Theatre and Same Sky Theatre Co. He was commissioned to write a composition by the Bracknell Jazz festival in 1984 for his Moire Music group. Watts is featured in "Jazz Brittanica" (a BBC4 film on British jazz and improvised music, 2005. A major DVD by film maker Mark French called “Hear Now” 2013. This is an interview with live performances, mainly from the Watts/Weston duo. He is featured in many other films on jazz/improv music, some for ARTE TV including filming of two visits to the Roaring Hooves Festival in Mongolia’s Gobi desert that had collaborations with Mongolian traditional musicians. Major Jazz Festival appearances include Womad, Glastonbury, San Francisco Jazz Festival, Monterey Jazz Festival, Freedom of the Plaza Festival July 4th in Washington DC, Singapore Arts Festival, Beijing & Shanghai Jazz Festivals, Berlin Jazz Fest, London Jazz Fest, Cervantino Festival, Mexico, New Zealand Festival of Arts, Wangaratta and Darling Harbour Festivals in Australia amongst very many more.2013 - Commissioned to write a composition for full choir “The Light Vessel” 2013 dedicated to the UK Light Ship communities. Three performances to date. New solo saxophone CD in 2014 called “Veracity” which has been highly acclaimed. Watts is listed in the Who’s Who in the World of Music dictionary.
Veryan Weston (born 1950) was awarded ‘Young Jazz Musician of 1979’ by GLAA. In the '80s, Veryan worked internationally with Lol Coxhill (with whom he made his first recordings – Ogun 525 and Random Radar), the Eddie Prévost Quartet. At this time, he also first met Trevor working in his band Moiré Music which used a unique combination of African rhythmic structures with the European musical tradition (Arc 02).
In the '90s, collaborations with Phil Minton whom he met through Trevor's Moiré Music included the Ways duos, Songs from a Prison Diary awarded the Cornelius Cardew composition prize, a quartet performing extracts from Joyce’s Finnegans wake (with Phil, John Butcher and Roger Turner), and 4Walls with Luc Ex and Michael Vatcher. And most recently - Ways for an Orchestra commissioned by the Angelica Festival (Bologna, Italy - 2017)
Collaborations with Jon Rose on the ‘Temperament Project’ use improvisation with different acoustic keyboards and violins with selected tunings derived from science, history and the imagination. Most recent project has included Hannah Marshall with the Tuning Out Tour (EMANEM double 4141). A trio project with John Edwards and Mark Sanders (EMANEM 4028, 4214, and 4205), the Trio of Uncertainty with cellist Hannah Marshall and violinist Satoko Fukuda (EMANEM 4141), Luc Ex in Sol6 (Red Note 15) which included saxophonist Ingrid Laubrock and Hannah Marshall in a trio called Haste. (EMANEM 5025).
‘Tessellations’ is an ongoing composition project based around research on pentatonic scales and has produced: 1. Tessellations for piano (EMANEM 4095), 2 a commissioned piece for Austrian singers - the Vociferous Choir (EMANEM 5015), 3 a string quartet, and 4 'The Make Project' – a Toronto-based project commissioned by Canadian Arts (Released – January 2018). An extension of these ideas has been with Hannah Marshall and Mark Sanders. Supported by ACE to produce a CD project now released on Hi4Head called 'Crossings'.
Jamie attended the Jazz diploma course in Chichester as a singer, which was were he met the saxophonist Marcus Cummins who introduced him to the music of Trevor Watts
In 1999 Harris was given the opportunity to organise a music group made up of young musicians for a concert to be musically directed by Watts .
This group continued to rehearse after said concert and it was during this first rehearsal with out a drummer in attendance that Watts handed Harris a drum and asked him to bang it.
The group eventually became “Trevor Watts and the Celebration Band”, where Harris served as percussionist. The Celebration Band toured USA / Canada as well as playing several concerts in the UK and Europe.
In 2003 Watts and Harris began performing as a duo, taking this project to Mongolia, USA/Canada, Mexico, The Dominican Republic and Brazil among other locations.
Between 2007 and 2019 Watts and Harris took a break from playing together. During this period Harris sang and played guitar and wrote songs for the band “Harris Attack” as well as performing in a duo with bass guitarist Roger Carey. From 2014 until 2021 he sang and played percussion with the Hastings based Trio “Afrit Nebula”
In 2019, after performing together at Trevor Watts 80th birthday party , an event organised by pianist and long time Watts collaborator Veryan Weston, Harris and Watts decided to resume activities playing as a duo.
In July 2021, Watts / Weston and Harris formed the group “Eternal Triangle”.