Ensemble Entropy

Led by composer saxophonist Matt London Ensemble Entropy is a dynamic new music ensemble / group / band exploring the space between composed contemporary music and free improvisation.

Made up of experienced musicians from these differing practices; Seth Bennett [double bass], Georgia Cooke [flute] and Rebecca Raimondi [violin] are able to explore and blend these musics authentically creating performances that are original and never the same. By setting up an open uninhibited environment we challenge composers to devise pieces exploring the impromptu finding their own solutions.

Gigs / concerts often include featured guests to showcase their talents before joining the ensemble! These include; improvisation piano maverick Matthew Bourne, free improvisation giant Mark Sanders [drums] and electronics inventor Jenn Kirby.

February 2018 saw a large ensemble edition of the group at IKLECTIK named Orchestra Entropy - bringing together 10 improvisers including Sarah Gail Brand, Benedict Taylor, Tom Ward to perform Matt’s extended work RITUALS plus music by Megan Steinberg and Jennifer Walshe.

RITUALS for Orchestra Entropy was shortlisted for a 2018 BASCA British Composer Award in the Jazz Composition for Large Ensemble Category! www.entropymusic.org

Loré Lixenberg

Lore Lixenberg has evolved a practice based on voice, that has three major features. Firstly, exploring extended vocal techniques and hyper-extensions of the voice (‘BIRD’ and ‘THE BIRD STUDIES’, pieces, that explore language and syntax through birdsong) Secondly, drawing on socially engaged practices (PRET A CHANTER, THE VOICE PARTY) and thirdly, exploring digital technologies and apps for their operatic dramatic potential creating a new form - the APP-ERA, (SINGLR, VOXCOIN, IDENTITY THEFT). Incorporating comedy into her compositions applying bel canto singing into physical theatre, comedy and free-improvisation  she works with Simon Munnery, Richard Thomas, Stewart Lee and  Complicite (McBurney). She has performed internationally on concert platforms and galleries, opera houses, in operas and has collaborated on experimental installations and vocal performances with experimental composers visual and sound artists like Acquaviva, STELARC, Bruce Mclean, ORLAN, Georgina Starr, Imogen Sidworthy and David Toop. Her stuff has been shown at at The Hamburger Bahnhof , Galerie Nord Berlin, Ikon Gallery UK, The Armory NY, Emily Harvey Foundation NY among others. She published an artist book ‚Memory Maps’, monographic CD ‘The afternoon of a phone’ (£@B). She started THE VOICE PARTY standing in British election of 2019 and will satnd again in 2024. Her vinyl release NANCARROW KARAOKE, a record of Nancarrow piano rolls she transcribed for her own voice multi-tracked is on the De Player label. 

Mark Sanders

Mark has worked with many greats of the British, European and American free jazz improvised music scene including Roscoe Mitchell, Roswell Rudd, Evan Parker, John Butcher, Henry Grimes, Elaine Mitchener, Wadada Leo Smith, Myra Melford, Charles Gayle , Sirone and William Parker

He has also played with Jah Wobble, Harold Budd, Bill Laswell, Christian Marclay, International Contemporary Ensemble, Ilan Volkov and The BBC Scottish Symphony Orchestra.

He is a member of many working groups including duos with Nicole Mitchell and Rhodri Davies, Neil Charles' 'Dark Days' with Cleveland Watkiss & Pat Thomas, 'Last Dream of the Morning' with John Butcher & John Edwards, 'Shifa' with Rachel Musson and Pat Thomas and 'Sarost' with Larry Stabbins & Paul Rogers.

As an educator he has taught improvisation at many universities around the country as a lecturer and guest tutor.
Mark has played concerts and festivals around the world and appears on over 220 CD and Vinyl releases.
Mark was a recipient of the Paul Hamlyn Award for Artists 2024

"Drop the needle on the first track — or any track for that matter — and the first thing one is bound to notice is the amazing percussion skills of Mark Sanders" – Peter Thelen... Exposé

"Mark is just incredible and immensely diverse, he is at the center of "Kwingyaw" and it is difficult to tell what he is doing to get some of these sounds." – Bruce L Gallenter, Downtown Music Gallery, NY