Sunday 24 March 2024, 7.30pm
eavesdropping returns to Cafe OTO for another four-day festival, curated by Juliet Fraser, which includes four evening double-bill events and a weekend-long forum of talks, roundtables and provocations. We hope to stimulate your ears and your imagination by presenting new work by eight artists working at the experimental fringes of a variety of genres. The programming within each set is artist-led: repertoire is only announced on the night. During this year’s forum we will explore the topic ‘Experiments in Failure’. The vibe is low-key and friendly, whilst definitely being thought-provoking.
PLEASE NOTE: doors open 7.30pm; music starts 8pm (and ends by 10pm).
eavesdropping
eavesdropping is a platform for the sharing of new music and new ways of thinking about music. Excited by experimentalism, we create opportunities for artists and audiences to practise engaged listening and compassionate debate. Our activity includes a festival, a forum, a podcast, and training and development workshops. Our mission is to build community through an ethics of curiosity and care, in the belief that ripples do make waves.
https://www.eavesdropping.london
DAFNE VICENTE-SANDOVAL is a bassoonist who explores sound through contemporary music interpretation and electroacoustic performance. Her research has translated into an intuitive investigation of the bassoon’s complex acoustic properties, embracing the elusive behavior of overtones as well as the countless possibilities in timbral shadings and idiosyncratic tunings. Her instrumental practice has led to the creation of a significant body of solo pieces in close collaboration with a handful of composers (Éliane Radigue, Jakob Ullmann, Alvin Lucier, Peter Ablinger, Phill Niblock, Catherine Lamb, Tashi Wada). A graduate of the Paris Conservatory and the Musik-Akademie Basel, Vicente-Sandoval currently lives in Paris. She has published essays in Darmstädter Beiträge zur Neuen Musik, Revue et Corrigée, Blank Forms and Sound American magazines. Recent releases include Ullmann's Müntzers stern/Solo II on Edition RZ, Niblock's NuDaf on XI Records and Minos Circuit on Portraits GRM.
During the late noughties CRYSTABEL RILEY toured Japan and Europe using drums, electronics and make-up in power-noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins — human and drum. An interest in dimensional patterns existing on (and off) different surfaces has continued to evolve through exploring the idea of 'care and uncare' of various skin surfaces. Crystabel has been a long-term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club and later played in the London Improvisers Orchestra. She is currently working on the multi-format duo project @xcrswx with Seymour Wright and recently released a split vinyl with Lolina.
