Wednesday 5 July 2017, 7.30pm
Sarah Gail Brand / trombone
Paul Rogers / double bass
Mark Sanders / drums
Deep Trouble is a trio of Europe’s most compelling improvisers. All three have collaborated with each other in other groupings but this is the first outing for this new ensemble. Improvised Music with percussive, textural and melodic intensity from three captivating musicians.
Described by The Wire magazine as “the most exciting trombone player for years” Sarah Gail Brand has recorded and performed on the international Improvised Music and Jazz scene since the early 1990s with Mark Sanders, John Edwards, Elton Dean, Evan Parker, Phil Minton, Veryan Weston, Lol Coxhill, Maggie Nicols, Wadada Leo Smith, Steve Beresford, Georg Graewe, writer and comedian Stewart Lee and countless others. Sarah fronts her own tunes quartet (Sarah Gail Brand Sextet), has a long standing duo with drummer Mark Sanders, and a trio with John Edwards and Steve Beresford and continues to work as a soloist and in ad hoc ensembles. As well as being a composer, Sarah’s trombone work ranges from playing Improvised Music and Jazz, studio session work to arranging & playing in pop and rock music. Sarah is a music therapist and a professor of Improvisation at the Guildhall School of Music & Drama, London and leads workshops on improvisation around the world. Recordings of Sarah Gail’s work can be found on the Emanem and regardless record labels.
Paul Rogers is a virtuoso musician playing an AAL 7 string bass of his own design. He has played with countless major musicians on the European and US Jazz and Improvised Music scenes for over 40 years. He was a member of the influential group Mujician with Keith Tippett, Paul Dunmall and Tony Levin and performed and recorded with trombonist Paul Rutherford.
As well as leading his own groups in the UK and France - including the highly regarded trio Wahay based on the music of Charles Mingus- Paul performs regularly in Europe as a soloist.
Mark has worked with many greats of the British, European and American free jazz improvised music scene including Roscoe Mitchell, Roswell Rudd, Evan Parker, John Butcher, Henry Grimes, Elaine Mitchener, Wadada Leo Smith, Myra Melford, Charles Gayle , Sirone and William Parker
He has also played with Jah Wobble, Harold Budd, Bill Laswell, Christian Marclay, International Contemporary Ensemble, Ilan Volkov and The BBC Scottish Symphony Orchestra.
He is a member of many working groups including duos with Nicole Mitchell and Rhodri Davies, Neil Charles' 'Dark Days' with Cleveland Watkiss & Pat Thomas, 'Last Dream of the Morning' with John Butcher & John Edwards, 'Shifa' with Rachel Musson and Pat Thomas and 'Sarost' with Larry Stabbins & Paul Rogers.
As an educator he has taught improvisation at many universities around the country as a lecturer and guest tutor.
Mark has played concerts and festivals around the world and appears on over 220 CD and Vinyl releases.
Mark was a recipient of the Paul Hamlyn Award for Artists 2024
"Drop the needle on the first track — or any track for that matter — and the first thing one is bound to notice is the amazing percussion skills of Mark Sanders" – Peter Thelen... Exposé
"Mark is just incredible and immensely diverse, he is at the center of "Kwingyaw" and it is difficult to tell what he is doing to get some of these sounds." – Bruce L Gallenter, Downtown Music Gallery, NY
Born in Brighton and living in London, John Butcher is a saxophonist whose work ranges through improvisation, his own compositions, multi tracked pieces and explorations with feedback, unusual acoustics and non-concert locations. He is well known as a solo performer who attempts to engage with a sense of place. Resonant Spaces, for example, is a collection of performances recorded during a tour of unusual locations in Scotland and the Orkney Islands.
Butcher originally studied Physics, but after publishing a PH.D (1982) on quantum chromodynamics he left academia and took off with music. He has since collaborated with hundreds of artists, some for many decades, including Derek Bailey, Eddie Prévost, Angharad Davies, John Stevens’ Spontaneous Music Ensemble, Okkyung Lee, Andy Moor, Sophie Agnel, Christian Marclay, Pat Thomas, Phil Minton, Rhodri Davies, Tony Buck, Magda Mayas, John Russell, Chris Corsano, Steve Beresford, Ståle Liavik Solberg, and Matthew Shipp.
Additionally he values occasional encounters - with large groups ranging from the WDR Sinfonieorchester (as soloist), and the 20+ piece EX Orkest to duos with Akio Suzuki, Liz Allbee, Keiji Haino, Isabelle Duthois, David Toop, Mariam Rezaei, Fred Frith and Joe McPhee.
Recent compositions include “Fluid Fixations” (an hcmf commission), “Penny Wands” for Futurist Intonarumori, “Good Liquor…” for the London Sinfonietta and “Tarab Cuts” (shortlisted for a British Composer’s Award).
"Over 40 years of sustained performance and publishing, English saxophonist, improvisor and composer John Butcher has shaped much of what soprano and tenor saxophone can do, and what their roles and vocabulary in improvised music might be. I’ve always heard Butcher’s playing as a kind of nose-to-tail saxophony, where the whole instrument from reed-tip to brim of bell is available, accessible and articulate. Few other saxophonists slice as sharply back into the physical history, material (and physics) of the instrument, across its near 200 year history. When Hector Berlioz wrote of his friend Adolphe Sax’s then fresh invention, “the varied beauty of its accent, sometimes serious, sometimes calm, sometimes impassioned, dreamy or melancholic, or vague”, he could have been imagining Butcher's distinctively clean but complex, enquiring soundworld." WIRE - October 2024. The Primer by Seymour Wright
