Wednesday 10 April 2019, 7.30pm
A Detroit native attuned to the progressive continuum, Dakim synthesizes earthly pulses into universal offerings, conjuring rhythmic explorations like no other. Similar to his sages – Ellington, Dilla, Scientist, Monk, and Rza – Dakim takes influences from everything around him; the revolutionary hip-hop, dub and techno from his youth, the rush of the streets in motion – even the pulse of crickets in a cadence.Filtering his influences into wholly original forms, Dakim creates a dusty mist flowing through the air, a swing that won’t stop, a breath of acknowledgment to the WOW of the world.
Dakim:
Attuned to the source
aspiration
x
inspiration
absorbing moments
to become
space bound
@xcrswx [Crystabel Riley and Seymour Wright]
Contrasts:
the LIVE (evolved sounds/patience/relentless-ness);
and:
the ANDROID (cropped media [sounds+visuals]/impatience/edits);
e.g.;
Call Time/Hard Out 7"
https://soundcloud.com/feedbackmoves/sets/call-time-hard-out
plus;
Lookbook digital
https://soundcloud.com/cafeoto/tr008-xcrswx-lookbook-sample
and;
Fixes 10" [split]
Coming soon on Feedback moves.
During the late noughties Crystabel Efemena Riley toured Japan and Europe using drums, electronics and make-up in power-noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins — human and drum. An interest in dimensional patterns existing on (and off) different skin surfaces, exploring the idea of 'care and uncare': layered skins, recycled drum skins, smetled sculptures, other metallics and electronics. Crystabel has been a long-term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club and later played in the London Improvisers Orchestra. She is currently working on the multi-format duo project @xcrswx with Seymour Wright, together they created the sounds for Edward George’s Black Atlas film at the Warburg Institute.
Seymour Wright's work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential.
