Sunday 8 November 2015, 8pm
A night with Cranc (Angharad Davies, Rhodri Davies and Nikos Veliotis ) and “bingo caller extraordinaire” Emma Hart.
Angharad Davies is a violinist, one at ease in both improvising and composition, with a wide discography as part of varied range of ensembles and groups. She’s a specialist in the art of ‘preparing’ her violin, adding objects or materials to it to extend its sound making properties. Her sensitivity to the sonic possibilities of musical situations and attentiveness to their shape and direction make her one of contemporary music’s most fascinating figures. 2015 has seen her being commissioned for a new work for “ solo violin and 4 bass amps” at the Counterflows Festival, Glasgow which was subsequently performed at the El Nicho Festival, Mexico and Supersonics, Birmingham. She also premiered Eliane Radigue’s new solo for violin, Occam XXII in Mexico.
Rhodri Davies plays harp, electric harp, live-electronics and builds wind, water and fire harp installations. His regular groups include: a duo with John Butcher, The Sealed Knot, a trio with David Toop and Lee Patterson, Common Objects, Cranc, a trio with John Tilbury and Michael Duch, SLW and Apartment House. In 2008 he collaborated with the visual artist Gustav Metzger on ‘Self-cancellation’, a large- scale audio-visual collaboration in London and Glasgow. He also performs and researches contemporary music. New pieces for harp have been composed for him by: Eliane Radigue, Christian Wolff, Ben Patterson, Alison Knowles, Michael Pisaro, Carole Finer, Mieko Shiomi, Radu Malfatti and Yasunao Tone.
“...euphoric music, no chemistry guaranteed...” [L Alsace]
“...Having achieved acoustic enlightenment, Veliotis just sits there making the same glorious noise for 20 minutes...” [The Wire]
“Veliotis is the Greek emperor of the restrained cello” [Sound Projector]
“...a cross-pollination of Phill Niblock, Glenn Branca and Iannis Xenakis occurring during the Chernobyl disaster.” [Touching Extremes]