Monday 17 October 2022, 8pm

Photo by Jimmy Fontaine

Come + Witching Waves

No Longer Available

Come is a cult American alternative rock band, formed in Boston by Thalia Zedek (vocals, guitar), Chris Brokaw (guitar, vocals), Arthur Johnson (drums), and Sean O’Brien (bass).

Come’s first release was “Car” b/w “Last Mistake,” the August 1991 installment in the first volume of Sub Pop’s Singles Club. The single made them one of the most highly touted new acts on the underground scene, and there was more than one label eager to release the band’s first full-length effort. Come chose Matador in the US and Placebo in the UK to put out their debut album Eleven Eleven in 1992. The album was a great success with both critics and fellow musicians, and tours followed with Nirvana, Dinosaur Jr., Sugar, and Pavement, among others. Pitchfork has called it “one of the most elusive gems of the Matador catalog”. After the release, Brokaw left Codeine, devoting himself full-time to Come.

Come released their second album, Don’t Ask Don’t Tell, in 1994, again on Matador and Placebo. It was to be the last album recorded with the rhythm section of Johnson and O’Brien. Though somewhat calmer than its predecessor, it was equally as grave. Among the highlights of the album, and of the whole of the band’s impressive song catalogue, are the two dark ballads, “Let’s Get Lost” and “Arrive,” each closing a side of the vinyl edition. Brokaw and Zedek’s emotional dual guitar work rivals Verlaine/Lloyd, chiming and majestic, cascading into feedback-ridden squalls informed by both punk and metal, sifted through one of the tightest rhythm sections ever assembled.
https://www.folkwisdom.net/come/

Witching Waves

Witching Waves were formed by Emma Wigham and Mark Jasper in 2013 in London, and and up until the pandemic they kept up a relentless touring schedule, in the UK, Europe and the US. In 2019 they moved to West Yorkshire and chose to live a simpler life. They have just finished recording their fourth album, a project of four years worked up from scrappy demos in a studio they built themselves. This latest record explores themes of parenting, aging and loss, but the songs are not rooted in sadness but in hope and an attempt to process those feelings. Whilst the previous record may have been about persisting against the odds, this one is more about resilience.