Sunday 9 June 2019, 7.30pm
The Clinamen is the trio of John Edwards, Mark Sanders, and Elliott Sharp performing high velocity improvisation based on groove, texture, and extreme timbres.
John Edwards grew up in London and started experimenting with the bass guitar before he switched in his twenties to play double bass. He is deeply rooted in the creative free jazz and improvisation genre. Since the 80ties he is as soloist and in many groups and ensembles in Europe active and became one of the most renowned bass players. He played/plays regular for example with Peter Brötzmann, Joe Mc Phee, Phil Minton, Maggie Nichols, Evan Parker, Roscoe Michtell, Louis Moholo-Moholo, Mark Sanders, Caroline Kraabel, John Butcher, Pat Thomas, Irène Schweizer, Hans Koch, Florian Stoffner, Gabriele Mitelli, John Dikeman.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
Mark has worked with many greats of the British, European and American free jazz improvised music scene including Roscoe Mitchell, Roswell Rudd, Evan Parker, John Butcher, Henry Grimes, Elaine Mitchener, Wadada Leo Smith, Myra Melford, Charles Gayle , Sirone and William Parker
He has also played with Jah Wobble, Harold Budd, Bill Laswell, Christian Marclay, International Contemporary Ensemble, Ilan Volkov and The BBC Scottish Symphony Orchestra.
He is a member of many working groups including duos with Nicole Mitchell and Rhodri Davies, Neil Charles' 'Dark Days' with Cleveland Watkiss & Pat Thomas, 'Last Dream of the Morning' with John Butcher & John Edwards, 'Shifa' with Rachel Musson and Pat Thomas and 'Sarost' with Larry Stabbins & Paul Rogers.
As an educator he has taught improvisation at many universities around the country as a lecturer and guest tutor.
Mark has played concerts and festivals around the world and appears on over 220 CD and Vinyl releases.
Mark was a recipient of the Paul Hamlyn Award for Artists 2024
"Drop the needle on the first track — or any track for that matter — and the first thing one is bound to notice is the amazing percussion skills of Mark Sanders" – Peter Thelen... Exposé
"Mark is just incredible and immensely diverse, he is at the center of "Kwingyaw" and it is difficult to tell what he is doing to get some of these sounds." – Bruce L Gallenter, Downtown Music Gallery, NY
Elliott Sharp is a composer, producer, and multi-instrumentalist who leads the projects Orchestra Carbon, SysOrk, Tectonics and Terraplane. His musical innovations have encompassed fractal geometry, chaos theory, algorithms, genetic metaphors, and new strategies for graphic notation to yield work that catalyzes a synesthetic approach to musicmaking as well as functioning as retinal art. In 2015, Sharp was awarded both the Berlin Prize and the Jahrespreis from der Deutscher Schallplatten Kritiks. He is the subject of the documentary Doing The Don't and has been featured on NPR's All Things Considered. Sound installations include Chorale, Foliage, Fluvial, Chromatine, and Tag. Sharp’s book IrRational Music, a mix of memoir, cultural discussion, and music theory, has just been published by Terra Nova Press. Sharp's composition Storm of the Eye, composed for violinist Hilary Hahn, appeared on her Grammy-winning album In 27 Pieces. His opera Filiseti Mekidesi premiered at the Ruhr Triennale in 2018 and his Walter Benjamin opera Port Bou premiered in NYC in 2014. Sharp's collaborators have included Qawwali singer Nusrat Fateh Ali Khan; Ensemble Modern; Debbie Harry; blues legends Hubert Sumlin and Pops Staples; jazz greats Jack Dejohnette and Sonny Sharrock; media artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jahjouka.
