Sunday 14 June 2015, 8pm
Think big, girl, like a king, think kingsize. Jenny Hval’s new record opens with a quote from the Danish poet Mette Moestrup, and continues towards the abyss. Apocalypse, girl is a hallucinatory narrative that exists somewhere between fiction and reality, a post-op fever dream, a colorful timelapse of death and rebirth, close-ups of impossible bodies — all told through the language of transgressive pop music. It dreams of an old science fiction movie where gospel choir girls are punks and run the world with auto-erotic impulses. It’s a gentle hum from a doomsday cult, a soft desire for collective devotion, an ode to the close-up and magnified, unruly desires.
Jenny Hval has developed her own take on intimate sound since the release of her debut album in 2006. Her work, which includes 2013’s critically celebrated Innocence Is Kinky (Rune Grammofon), has gradually incorporated books, sound installations and collaborations with poets and visual artists. For Hval, language is central, always torn between the vulnerable, the explosive and total humiliation.
Jenny Hval has in recent years made a name for herself as a writer, journalist, recording artist and sound artist both in Norway and abroad. When her third record Viscera was released in 2011, WIRE magazine described the record as: “a stunning achievement both conceptually and musically.” Multidisciplinary and transgressive are words often employed to describe her art, but Jenny Hval’s polyphonic artistry is in fact seamlessly interwoven between musical, literary, visual and performative modes of expression. Despite her young age, she has already infused, carved and modulated an artistic voice that is altogether present, accessible and obscurely complex at the same time.