Monday 9 January 2017, 7.30pm
This quartet represents the first major collaboration of two of the most distinctive voices of their generation, and stakes out a remarkable common ground from the pair’s vast range of influences and experience. The repertoire fuses Mitchener’s unique way with both melody and abstraction, with Hawkins’ idiosyncratic compositional and pianistic world; as well as spotlighting reimaginings of a number of non-original songs (including Patty Waters-You Thrill Me; Why Is Love Such a Funny Thing; and Archie Shepp – Blasé) which reveal the influence of precursors such as Jeanne Lee and Linda Sharrock. Structurally, the group function as complete equals, veering radically from the traditional norm of ‘singer plus rhythm section’, instead treating this as only one possible dynamic amongst many.
“as stunning as it was fresh’ (FT.com) ‘remarkable reinventions by two fearless originals” – The Guardian
Neil Charles / double bass
Steve Davis / drums
Alexander Hawkins / piano, compositions
Elaine Mitchener / voice
Alexander Hawkins is musician who is ‘unlike anything else in modern creative music’ (Ni Kantu) and whose recent work has reached a ‘dazzling new apex’ (Downbeat).
As a pianist, he has been described as ‘remarkable...possessing staggering technical ability and a fecund imagination as both player and composer.’ Concerning his organ playing, critic Brian Morton recently commented that ‘[t]he most interesting Hammond player of the last decade and more, [Hawkins] has already extended what can be done on the instrument.’
His writing has been said to represent ‘a fundamental reassertion of composition within improvised music’ (Point of Departure), and his voice one of the ‘most vividly distinctive...in modern jazz’ (The Jazzmann).
An in-demand collaborator as well as soloist, composer, and bandleader, Hawkins continues to be heard live and on record with vast array of contemporary leaders of all generations, including the likes of Evan Parker, John Surman, Joe McPhee, Mulatu Astatke, Wadada Leo Smith, Anthony Braxton, Marshall Allen, Han Bennink, Hamid Drake, Rob Mazurek, Taylor Ho Bynum, Harris Eisenstadt, Matana Roberts, and Shabaka Hutchings, amongst many others. He has also been noted for a number of years for his performances in the bands of legendary South African drummer, Louis Moholo-Moholo.
Concert appearances have taken him to major club, concert and festival stages worldwide.
“…Hawkins is a really vital link in a long historical chain, and his ability to sculpt his own language from a deeply rooted creative bedrock is compelling” - Jazzwise
“Sounds like all the future jazz you might imagine without ever being able to conceive of the details” - The Guardian
Born and raised in East London of Jamaican heritage Elaine Mitchener is a contemporary vocalist, movement artist and composer, who encompasses improvisation, contemporary/experimental music theatre and dance. She has worked and collaborated with numerous leading artists including Camae Ayewa (Moor Mother), Mark Padmore, George E. Lewis, The Otolith Group, Sonia Boyce, Tansy Davies, Hamid Drake, Van Huynh Company, Apartment House, David Toop, London Sinfonietta, Steve Beresford, Christian Marclay, Phil Minton, Ensemble Manufaktur für aktuelle Musik, William Parker, Alexander Hawkins. She is founder of collective electroacoustic trio The Rolling Calf with saxophonist Jason Yarde and bassist Neil Charles.
“Elaine Mitchener has ACHIEVED A MOST DIFFICULT CHALLENGE ; She has created a dauntingly vivid theatrical evocation of deep and prolonged collective pain in such a way as to bring out OUR emotional empathy fundamental to communication. She has not aimed for ‘beautiful art’ but her unblinking honesty and the ultrasensitive resonance of her three musical companions, has parAdoxically created something of real, visceral beauty- art,in fact.” – Robert Wyatt THE WIRE
“SWEET TOOTH is a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora.” (Kevin Le Genre, Jazzwise)