Saturday 18 July 2015, 8pm
First solo show at OTO since 2009 for German electronic musician, vocalist and producer AGF – aka Antye Greie-Ripatti, with support from composer and vocalist Jennifer Walshe, and London-based electronic musician Klein.
Antye Greie-Ripatti aka AGF or poemproducer is a vocalist, musician, composer, producer, and new media artist. She was born and raised in East Germany and developed an early interest for music and poetry and philosophy. She has been exploring speech and spoken word combined with electronic music, as well as working on sound installations, pop songs, calligraphy and her website poemproducer.com. As digital media artist Antye Greie works with moving image, audio visualization and real time video processing. In 2009 as part of the collective The Lappetites she staged the multimedia opera 'Fathers' in Berlin Haus der Kulturen der Welt.
Greie performs as AGF (solo), AGF/DELAY (with Vladislav Delay), with Zavoloka, The Dolls (with Vladislav Delay and Craig Armstrong), Laub (with Jotka), and The Lappetites (with Eliane Radigue, Kaffe Matthews and Ryoko Kuwajima).
“The most original compositional voice to emerge from Ireland in the past 20 years” (The Irish Times) and “Wild girl of Darmstadt” (Frankfurter Rundschau), composer and performer Jennifer Walshe was born in Dublin, Ireland. Her music has been commissioned, broadcast and performed all over the world. She has been the recipient of fellowships and prizes from the Foundation for Contemporary Arts, New York, the DAAD Berliner Künstlerprogramm, the Internationales Musikinstitut, Darmstadt and Akademie Schloss Solitude among others. Many of Walshe’s recent projects focus on the planet Mars, using it as a lens to think through the most pressing issues of our time. Notable projects from this series include MARS I, for Klangforum Wien and Some Notes on Martian Sonic Aesthetics 2034-51 for Ensemble Modern, culminating in MARS (2025) for Irish National Opera. Another recent project is the music-theatre work The Alonetimes, written with Philip Venables, which premiered at the Fondation Cartier in Paris in April 2026. Walshe has worked with AI for over a decade, and her book 13 Ways of Looking at AI, Art & Music was published by Unsound in 2024. A Spanish translation was published by Alpha Decay (Barcelona) in 2025. Recent albums include In the Merry Month of May (Blue Chopsticks, 2024), Walshe’s duo album with Tony Conrad, which was chosen as an album of the year by The Wire, The Vinyl Factory and KLOF Magazine. Walshe’s double album An Gléacht/Dordán (Diatribe, 2024) received the Académie Charles Cros Coup de Cœur for Experimental Music. Walshe is Professor of Composition at the University of Oxford. Her work has been profiled in many publications including The New Yorker.
Klein is an artist and musician whose work often blurs the lines between fact and fiction. Her music releases, films, and performances are often informed by urban mapping, surveillance, humor, hip-hop, noise, identity, and beyond. Her work has been shown and/or performed at Museums, Galleries, yards, squats, and pubs, including the infamous The Old Blue Last and the New Cross Inn.
