A rare solo set from composer, percussionist and sound artist Susie Ibarra. Using the full breadth of a unique set up, Ibarra takes a meditative journey across her kit, taking time to find familiar rhythms and knots and allowing them to offer up new space and sound. Delicate, dynamic and extremely focused, Ibarra finds expressive harmonics in gongs and brushes alike, with refreshingly melodic, even pastoral, results.
"Rhythm Cycles is a drum solo that I consider as a performance meditation. I love to perform this piece as it is possible to always arrive at new places while returning to familiar cycles that make so much sense to me. This piece is constructed to weave through certain tempos and hit points during a solo performance that arrive at melodies and textures and phrases grounded in specific rhythms and polyrhythms. The piece cycles through each of these sections and allows me to improvise through a flexible structure, sometimes returning to a section at moments and other times moving forward to create a new rhythmic environment.” - Susie Ibarra.
Recorded live at Cafe OTO on Thursday 7th November 2019 by Shaun Crook. Mixed and mastered by James Dunn.
“Rhythm Cycles” by Susie Ibarra is a commissioned solo performance by the Bagri Foundation for their series " At the Cutting Edge" performed at Cafe OTO. Many thanks to the Bagri Foundation for the support of this release.
About Bagri Foundation
The Bagri Foundation is a UK registered charity, inspired by unique and unexpected ideas that weave the traditional and the contemporary of Asian culture. The Foundation, with its roots in education, is driven by curiosity and a desire to learn, and aims for each project to challenge, engage and inspire. Through a diverse programme of film, visual arts, music, dance, literature and talks, the Bagri Foundation gives artists and experts from across Asia and the diaspora, wider visibility on the global stage. Recent projects include At Home in the World, a series of digital commissions; Tantra: enlightenment to revolution at the British Museum; Object, Story, Wonder: Museum Collections Revealed; and From Here to Eternity: Sunil Gupta, A Retrospective at The Photographer’s Gallery, London. www.bagrifoundation.org
Available as a 320k MP3 or 24bit FLAC
Tracklisting: "Rhythm Cycles : Evening Cycles"
1. Blue Hour
2. Ritual at Dusk
6. Night Sky
28:24 - 29:24
29:28 - 31:54
8. Polar Night
31:58 - 34:03
34:04 - 40:18
Susie Ibarra is a Filipina-American composer, percussionist, and sound artist. Her sound has been described as “a sound like no other’s, incorporating the unique percussion and musical approach of her Filipino heritage with her flowing jazz drumset style” (Modern Drummer Magazine) and her compositions are sometimes described as “calling up the movements of the human body; elsewhere it’s a landscape vanishing in the last light, or the path a waterway might trace” (New York Times). Recent commissions include Kronos String Quartet’s 50 for the Future Project Pulsation, PRISM Saxophone Quartet + Percussion’s Procession Along the Aciga Tree, Talking Gong trio with pianist Alex Peh and flautist Claire Chase, film score When the Storm Fades directed by Sean Devlin, and an interactive performance Fragility: A Game of Polyrhythms commissioned by Asia Society NY.
Susie Ibarra is a 2019 United States Artist Fellow in Music. She is a 2018 Asian Cultural Council Fellow in support of her sound research of An Acoustic Story on Climate Change: Himalayan Glacier Soundscapes. She is recording and researching sound along the Ganges from source to sink in collaboration with glaciologist and geomorphologist Michele Koppes. Ibarra leads the DreamTime Ensemble, which recently released the album Perception, a suite of music exploring memory and shifting sensory experiences. She performs in collaborative ensembles Mephista, Yunohana Variations, and LIMBS. Since 2012, she has been a faculty member at Bennington College where she teaches percussion, performance, improvisation, and art intervention. Ibarra is a Yamaha, Vic Firth, and Paiste Drum Artist.