Long-form work of duo James Rushford and crys cole. Thick with the past and an uneasy shuffling about in the present, listening to Ora Clementi is both peaceful and unsettling - sort of like being alone in the cinema. Subliminal narratives speak from just behind the curtain and melodies whistle momentarily through the forgotten pipe organ. Stay till the end credits and you might just cry.
1. 1.16.16 - 33:21
Recorded by James Dunn. Mixed by James Dunn. Mastered by James Dunn. Original photo by Bradley Buehrin.
Available as 320k MP3 or 24bit FLAC
Ora Clementi is the duo of Canadian sound artist crys cole and Australian composer-performer James Rushford. Formed in 2013, their collaboration is a unique investigation into liminal performance states, with a focus on text and speech as preconscious thought processes. Central to cole and Rushford's duo are questions surrounding interpretation, the function of memory, semiotics, and the syntactical discipline of sound within both listener and performer. Utilizing various musical approaches in unorthodox and disorienting ways, their work incorporates field recordings, electronics, contact mics, various wind and keyboard instruments, percussion and voice. Using movement, conceptual performance practice and both amplified and acoustic sound, Ora Clementi play with subtleties of sensory perception, invoking a dreamlike context that hovers between musical performance and pure abstraction.
crys cole is a Canadian sound artist working in composition, improvised performance and sound installation. Generating subtle and imperfect sounds through haptic gestures and seemingly mundane materials, she creates textural works that continuously retune the ear.
cole has ongoing collaborations with James Rushford (AU) (as Ora Clementi) and Oren Ambarchi (AU) and has worked recently with Francis Plagne (AU), Leif Elggren (SW), Tetuzi Akiyama (JP), David Rosenboom (US), Keith Rowe (UK), Seiji Morimoto (JP/DE), Jessika Kenney (US), Tim Olive (JP/CA) and many more. Her work has been published by Black Truffle (AU), Penultimate Press (UK), Ultra Eczema (BE), caduc. (CA), Bocian (PL), Another Timbre (UK) and Infrequency editions (CA/DE). She has performed and exhibited her work worldwide.
James Rushford is an Australian composer-performer. His work is drawn from a familiarity with specific concrète, improvised, avant-garde and collagist languages. Currently, his work deals with the aesthetic concept of musical shadow.
As a composer, James has been commissioned by the BBC Scottish Symphony Orchestra (Glasgow), Melbourne Symphony Orchestra, Ensemble Neon (Oslo), Speak Percussion, Synergy Percussion, Ensemble Vortex (Geneva), Ensemble Offspring, Soundstream, The Song Company, Decibel, Melbourne International Arts Festival (2006/2008), Norway Ultima Festival (2011), Unsound Festival (New York 2014) and Liquid Architecture Festival (2010).
As a performer, he has presented work at STEIM Institute (Amsterdam), Logos Foundation (Ghent), Issue Project Room (New York), Instants Chavirés (Montreuil), Constellation (Chicago), Super Deluxe (Tokyo), Blank Forms (New York), Monday Evening Concerts (Los Angeles), Cave12 (Geneva), Send & Receive Festival (Winnipeg), WORM (Rotterdam), Centre for Contemporary Art (Warsaw), Only Connect Festival (Oslo), Now Now (2011/2012), Adelaide Festival (2014), Melbourne International Jazz Festival (2011) and the Tectonics Festival (Adelaide 2014, New York 2015, Tel Aviv 2015). He has also performed live with the Krakow Sinfonietta, Australian Art Orchestra, Michel Pisaro, Eyvind King, David Behrman and Jon Rose.
James has collaborative projects with Joe Talia, Golden Fur (with Samuel Dunscombe & Judith Hamann), Ora Clementi (with crys cole), Will Guthrie, Oren Ambarchi, Klaus Lang, Kassel Jaeger, Annea Lockwood, Graham Lambkin, Francis Plagne, Tashi Wada, the visual artist Michael Salerno and the writer Dennis Cooper.
His music has been published by Pogus (US), Prisma (Norway), Bocian (Poland), Penultimate Press (UK), Black Truffle (AUS), Holidays (IT) and KYE (US).
James holds a Doctorate from the California Institute of the Arts, and was a 2018 fellow at Akademie Schloss Solitude in Stuttgart.