Delighted to release this fierce first time duo from two of our favourite saxophonists. Brotzmann-esque heft and gritty melodies from Trzaska, fused with Wright's tonal punctuation packs this one full of intensity which escapes the routine.
Mikolaj Trzaska / saxophone
Seymour Wright / saxophone
1. 12.9.16 - 36:46
Recorded on Friday 9th December 2016 by Shaun Crook. Mixed and mastered by James Dunn. Photo by Dawid Laskowski. Artwork by Oli Barrett.
Available as 320k MP3 or 24bit FLAC
Seymour Wright lives in London. His practice is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential. This is an on-going, rigorous and exhaustive exploration of imaginations, instrument, spaces and strucutures. The energy of this learning is applied to various collaborations and contexts to access/share what he has called the ‘awkward wealth of investigation’.
His solo work is documented on three widely acclaimed self-released collections Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
His current collaborations include: abaria with Ute Kanngiesser; a duet with Crystabel Riley; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; lll人 with Daichi Yoshikawa and Paul Abbott, a 'new jazz' trio with John Chantler and Steve Noble; an on-going inter-textual quartet with Paul Abbott, Cara Tolmie and Will Holder; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne. Bits of his writing has been published in C//A, Sound American and The Wire.
Mikolaj Trzaska is one of Poland's leading free jazz musicians. He has toured and recorded with his Clarinet Trio (with Ken Vandermark and Waclaw Zimpel), Peter Brotzmann, Joe McPhee and Lester Bowie, among many others. He is also a member of ken vandermark's Resonance Ensemble.
“Mikolaj's sound on alto is mesmerizing, even at his most lyrical there's the inner tension in the timbre, you could hide entire planets in there, even at his most expansive and screaming, there's something intimate and emotional to what he plays.” – (Free) Jazz Alchemist