Puzzle Music – Madalyn Merkey

“Puzzle Music is the desire to create images out of diverse pieces of sound. To collect timbral colours in a gradient procession and connect them until they create reason. Principally not knowing how the image will turn out, or what the picture even is. It is the act of placing sound shapes next to one another in the hope that clarity will gradually be revealed.

When grouping the songs together I was thinking of them as mechanisms in a timepiece. I have something of an obsession with Swiss watchmaking, although I think this stems from a desire for creative mastery and the design of an energy source independent of electronic needs. Hopefully the songs all serve a purpose towards the end goal of the album... but also, the way the Oberheim Xpander pans sounds is in a very clear circular pattern, which makes me think of gears turning.”

- Madalyn Merkey

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Interior sounds from Madalyn in an album that flits between eerie ambience, environment, and hermetic logic. The music’s timing and sequencing feels distant, the elegant constructions conjured and organised semi-consciously, drawing the listener deeper into the dream and towards a zone where watch hands tick forward accurately and their perception of time unspools. Here each neatly tuned conversation and clockwork assemblage harmonises, spinning tantalisingly just out of range and understanding. 

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Artwork by Casey Leung
Vinyl mastered and lacquer cut by Kassian Troyer @ Dubplates and Mastering, Berlin.

Available as 320k MP3 or 24bit FLAC 

Tracklisting:

1. Pinion - 08:03
2. Pallet fork - 06:57
3. Hairspring - 07:25
4. Clutch - 04:00
5. Click - 06:32
6. Escape wheel - 05:05
7. Puzzle music - 05:01

Madalyn Merkey

Californian composer Madalyn Merkey is an artist performing in acoustic research and live computer music. Her practice began as a visual artist at the School of the Art Institute of Chicago, where she transitioned to sound and time-based art.

Merkey’s digital voice processing has a sensational effect, with the human voice modulating between foreground and background, creating an unusual occurrence in identifying the sound source. Recent projects combine traditional instruments and electronics in live performance. In observing the acoustic principles of an instrument, she designs a real-time synthesis program to generate complementary timbral events and contrasting scales. This survey has led to an ongoing series of site-specific electronic music performances, in which principles of location, room acoustics and surround sound, are the foundation to develop sound material.