"With the Octet having whetted his appetite for band leading, Louis Moholo-Moholo went on to develop an array of ensemble projects, the longest serving of which he dubbed Viva La Black. It was with Viva that Louis toured South Africa in 1993, and for Louis and some of his compatriots in Viva the tour was nothing less than a personal triumph, a return home after three years spent in exile. Why these studio sessions rested in the vaults for so long remains a mystery. It was a slightly changed band that Louis assembled in 1995: the fresh ingredient that would move Viva into the darker, earthier grooves of Bra Louis - Bra Tebs was singer Francine Luce, originally from Martinique and now one of the vocal treasures of the London improv scene. But here they are, at last." - David Ilic
"Full of striking themes and strong improvisation, and continues a tradition that goes back a long way in South African jazz: stripped-down, hymnal themes repeated like mantras, gradually intensifying into free-jam furores, or giving way to racing swing. Some of the songs are as quirkily gentle as a Norma Winstone record, some like Annie Ross in a free-improv band - and though Francine Luce's frantic variations might not work for everybody, she's sonorous and soulful on the brooding traditional song Utshaka, and on a defiant Motherless Child."