Elvin Brandhi

Elvin Brandhi is an improvising lyricist, producer and sound artist from Bridgend, Wales, who builds aberrant beats from field recordings, tape, vinyl, instrument and voice. Using sound and voice as an expansive language transgressing intrinsic systemics and inherited syntactical etiquettes, her live shows are unyielding bursts of erupting animation where her caustic stream of consciousness cavorts with restless, glitched out heaviness. Her creative momentum comprises a range of collaborations and an endless nomadism.

Her first E.P ‘Shelf life’ was released on ‘C.A.N.V.A.S’ in 2018. She one half of father / daughter noise-improv berserkers Yeah You who released on Alter, Slip, Opal, Psychik Dancehall and Good Food. She also performs in collaborations such as the Avril Spleen project with Joseph Jadame (maltash), Bahk with Daniel Blumberg (MUTE), as well as contributions to Drew Mcdowall’s agalma, just to name a few.

Kenichi Iwasa

Kenichi Iwasa is a London based improviser and multidisciplinary artist from Japan, also known for his legendary event Krautrock Karaoke night, He has collaborated with visual artists and musicians such as Beatrice Dillon, Maxwell Sterling and Linder Sterling. He currently performs with Naima Karlsson under the name Exotic Sin and released an LP on Blank Forms.
https://linktr.ee/kenichiiwasa 

MICROCORPS

MICROCORPS is a project of multidisciplinary artist Alexander Tucker. Formally trained as a painter at the Slade School of Fine Art, Tucker went on to produce a series of critically acclaimed solo albums for renowned Chicago based record label Thrill Jockey and All Tomorrow's Parties before recording as MICROCORPS for Alter Records, The Tapeworm and Downwards. His most recent album, ‘Clear Vortex Chamber’, features collaborations with Regis (Sandwell District, British Murder Boys, Eros), Justin K Broadrick (Godflesh, Jesu, J K Flesh), Phew, Elvin Brandhi, Karl D’Silva and JJOWDY. On the new album Tucker continues to develop work around modular systems, cello, bass guitar and voice, creating tracks of heavy electronics, that meld machine rhythms with acoustic samples.‘Clear Vortex Chamber’ combines techno, contemporary composition, drone and vocal manipulations to create a dense and often psychedelic world.

Ziúr

Driven by a relentless appetite for boundless experimentation, Ziúr has been subverting  expectations since she was a teenager, corkscrewing through hardcore, metal and punk before  veering towards electronic music's turbulent fringes. She produces just like she DJs, gathering a  wide variety of ingredients and figuring out the most intriguing, unexpected ways to simmer them  into a coherent narrative that helps listeners synchronize the conflicting messages that surround  them. Genre isn't a fixed point for Ziúr, but a color in a vast palette that stretches across history  and borders, helping illustrate music that's powerfully subversive - a vivid crack of light in a dim,  lifeless cultural landscape. It's easy to see why Pitchfork labelled her "a master storyteller" in  2019. 

Currently, Ziúr is working with Lebanese contemporary artist and composer Tarek Atoui on a  series of projects that have included contributions from legendary percussionist Susie Ibarra and  versatile multi-instrumentalist Nancy Mounir. And she's sharpening her engineering and  production skills, having worked with Vietnamese collective Rắn Cạp Đuôi on their debut album  'Ngủ Ngày Ngay Ngày Tận Thế', and with Mexican-American producer Debit on her forthcoming  album. Constantly evolving and eagerly surveying the world's shifting cultural topology, Ziúr's  forward motion is her greatest strength.