edited by Kate Briggs Sternberg Press, 2023 128ppA long-distance correspondence reflecting on the infravoice of a blue whale and other so-called "silent" subjects. An experiment in listening to frequencies beyond human sensorial range, Silent Whale Letters is a long-distance correspondence intimately attuned to the infravoice of a blue whale, a document held silent in the sound archive, and other so-called "silent" subjects. As part of an ongoing collaboration between Ella Finer and Vibeke Mascini the letters consider how the silent document shifts the logic of the archive, figuring listening as a practice of preservation. As the letters attune to the ocean loud with communications across time and space, the authors write about the movement of matter, of energies, wavelengths, currents and how the ocean preserves as it disperses what it carries. How does working with what we cannot see, or even hear within range, shift the parameters of attention? How does the energetic archival space of the ocean agitate and disrupt claims to knowledge, history, and power? Moving through three years of call and response the book unfolds through "a joint meditation on the transformative potential of a note, a voice, carried from saltwater into the archive" (Rebecca Giggs). They chart a process that is equally conceptual and intimate, theoretical and deeply personal, moving through discussions of (amniotic) undercurrents, call-and-response mechanisms, energetic wavelengths, oceanic and archival memory, mysterious scales, and the watery acoustic commons.

Contributions by ROSA AIELLO, GERRY BIBBY, COLEMAN COLLINS, AYANNA DOZIER, ANNIE ERNAUX, AMELIA GROOM, MICHÈLE GRAF & SELINA GRÜTER, MONILOLA OLAYEMI ILUPEJU, ELLEN YEON KIM, BITSY KNOX, DAN KWON, ERIKA LANDSTRÖM, ENAD MAROUF, KATRIN MAYER, AISLINN MCNAMARA, KAMILA & JASMINA METWALY, LUZIE MEYER, VERA PALME, THERESA PATZSCHKE, GEORGIA SAGRI, MAHSA SALOOR, ELIF SAYDAM, MARK VON SCHLEGELL, SIMON SPEISER, ELAINE TAM, C.S. TOLAN, MIKHAIL WASSMER, ANNA ZACHAROFFSibyl's Mouths is the most recent in a series of publications by Pure Fiction, a writing and performance group with shifting members active since 2011. From February 12 to March 6, 2022, Pure Fiction presented an exhibition and performance program at the Kölnischer Kunstverein in Cologne titled “Shifting Theater: Sibyl's Mouths”. The starting point was a collective reading of Mary Shelley's 1826 novel The Last Man, in which the narrator discovers a collection of scribbled oak leaves scattered in a cave outside Naples. Alleged prophecies of the Cumean Sibyl, the textual fragments inscribed on the leaves foretell the story of an epidemic that ravages the globe in the 2100's—a period where solitude, intimacy, and the perception of time is radically renegotiated. Through a multiplicity of textual genres and writerly approaches, contributors examine the questions and forms that emerge from prophecy: the role of the voice in text, writing and performance; fragmentary heterogeneous narratives. The mouth is consulted, not only as a mouthpiece or as a cavernous instrument for vocalization but as an essential part of the digestive tract. Processes in the gut, such as assimilation, excretion, and regurgitation involve multiple temporal directionalities, and may function as metaphorical gateways to intuitive truths.