One hundred years ago, playwright Berta Lask (1878–1967) was commissioned by the German Communist Party to write a play marking the quatercentenary of the German Peasants’ War. She agreed, staging the reappearance of its leader Thomas Müntzer — who awakens every hundred years to address the present, represented in the prologue as a cast of striking proletarians to whom he tells his story. In the play, Lask poses a basic question: What would Thomas Müntzer see if he woke up today? A list accrues: Climate breakdown, imperialism, gendered oppression, earthquakes, genocide, impending fascism. Capitalism didn’t dig its own grave. Rather, the dead oppressors of previous centuries have been resurrected, planted in new bodies, tooled with new modes of bondage, within uneven spatial domination and temporal disjunction. Thomas Müntzer, with all of its time travel and its modes of resurrection, addresses the present from a past multiplied. For the first time, Lask’s play has been translated for a print edition alongside a set of commentaries and interventions: on everything from the “prolatarian problem play” to rainbows and bundles of twigs; from Albrecht Dürer’s monument to the slain peasants to Paul Robeson’s rendition of “Joe Hill”; from revolutionary violence to tragic commemoration.  Translated by Sam Dolbear with Esther Leslie, Joey Simons and Charlotte Thießen, both volumes are edited by Sam Dolbear. The second, commentaries, volume includes contributions by Caroline Adler, Joseph Albernaz, Hunter Bivens, Shane Boyle, Rebecca Comay, Sam Dolbear, Loren Goldman, Danny Hayward, Disha Karnad Jani, Sam Keogh, Henrike Kohpeiss, Esther Leslie, Huw Lemmey, Peter Linebaugh, Hussein Mitha, Vesa Oittinen, Hannah Proctor, Daniel Reeve, Ashkan Sepahvand, O. L. Silverman, Joey Simmons, Kerstin Stakemeier, virgil b/g taylor, and Alberto Toscano. Download as a printable PDF here. Download as a e-book here. It is our hope that readings or performance of the play take place all over the world, to mark the centenary of the play and the quincentenary of the events it depicts.  In the play, Lask poses a basic question: What would Thomas Müntzer see if he woke up today? A list accrues: Climate breakdown, imperialism, gendered oppression, earthquakes, genocide, impending fascism. Capitalism didn’t dig its own grave. Rather, the dead oppressors of previous centuries have been resurrected, planted in new bodies, tooled with new modes of bondage, within uneven spatial domination and temporal disjunction. Thomas Müntzer, with all of its time travel and its modes of resurrection, addresses the present from a past multiplied.  Softcover, A4, 2 x volumes, 92pp/ 112pp Rab-Rab, Helsinki, November 2025 Designed by Ott Kagovere, the two A4 size volumes are wrapped in a poster by artist Sam Keogh.

The Whistle and Sing! handbooks were designed by the author, Eamon Jordan, with a dual purpose; to offer modern arrangements of the more tuneful songs, airs and dance music of Ireland and to write these down from actual players in a  Songs, airs and dance music from Ireland. A delightful book containing eighteen songs and more than sixty tunes in simple, modern arrangements. Beginners can approach this book with confidence and more experienced players have theopportunity to elaborate. There are specific notes and hints for most traditional instruments. Eamonn Jordan is the son of Brigid McElroy, a traditional folk singer from Lurgan, Co. Armagh and grandson of Thomas McElroy, fiddler and healer.  He has always been fascinated by the richness of the folk tradition in Ulster, a meld of the Scottish. English and native Gaelic traditions. Donegal, that cultural bridge between Scotland and Ireland, is where he has chosen to make his home. Arising from the years spent by Eamonn in teaching traditional music in Ulster. Thomas O'Canainn, lecturer, composer and musician, and author of the influential 'Traditional Music in Ireland' has described Eamonn as 'the teacher of a whole new generation of Irish musicians'.     Softcover, 96pp Ossian Publications, originally published 1974

This co-authored work focuses on five performances developed by Blue Pieta, a multidisciplinary artist, director, dramaturg and performer and Bhanu Kapil, a poet, between 2022 and 2025. A public notebook of working scores and performance writing, AUTOBIOGRAPHY OF A PERFORMANCE contains analytic depictions of shared time experienced during performance, notes on dramaturgy and applause, and thinking towards performance as a mode of inter-generational healing (borderwork). This hybrid collection studies performance as a place both unknown and emergent, the rough sketch that's always incomplete, carried over to the next performance, and always in the company of radical others of many kinds. Both writers also change roles during the course of a performance, a mode of autobiography that most closely resembles mutation. A dramaturg is also an artist, a dancer, the poet of the work. A poet stands up from the table where they are seated to enter the domain of gesture and movement. Pieta and Kapil decompress an interoceptive approach to poetry, memory and ritual awareness: scenes that can't be written, but only staged.Softcover, 123pp The 87 Press, London, November 2025

Staring Into The Sun is the latest ethno-folk cinema classic from Sublime Frequencies. Ethiopia is known to be one of the oldest areas inhabited by humans and presently has over 80 diverse ethnic groups. In 2009, photographer/filmmaker Olivia Wyatt explored 13 different tribes throughout Ethiopia in this visually stunning film on DVD with accompanying 136-page book of Polaroid photographs and audio CD of field recordings. Traveling from the northern highlands to the lower Omo Valley via bush taxi, Isuzu cargo trucks, and by any means possible, Wyatt brings together the worlds of Zar spirit possession, Hamer tribal wedding ceremonies, Borena water well polyphonic singing, wild hyena feedings and bizarre Ethiopian TV segments, presenting an enchanting look at these otherworldly images, stark landscapes and captivating sounds from the horn of Africa. The featured tribes are captured with an unflinching sense of realism and poetic admiration resulting in a visual and aural feast of the senses. 136-page hardcover photography book with one music CD and one film on DVD. 5 1/2 x 5 1/4 inches, landscape format. 117 color photographs and liner notes by Olivia Wyatt. Sublime Frequencies' most elaborate package yet. One-time limited edition pressing of 1,000 copies.

This book is a historical and interpretive study of the movement of jazz experimentalism in West and East Germany between the years 1950 and 1975. It complicates the narratives advanced by previous scholars by arguing that engagement with black musical methods, concepts, and practices remained significant for the emergence of the German jazz experimentalism movement. In a seemingly paradoxical fashion, this engagement with black musical knowledge enabled the formation of more self-reliant musical concepts and practices. Rather than viewing the German jazz experimentalism movement in terms of dissociation from their African American spiritual fathers, this book presents the movement as having decisively contributed to the decentering of still prevalent jazz historiographies in which the centrality of the US is usually presupposed. Going beyond both US-centric and Eurocentric perspectives, this study contributes to scholarship that accounts for jazz’s global dimension and the transfer of ideas beyond nationally conceived spaces. "Few studies have understood how improvised music functions as a complex ecosystem, indeed an interlocking one that overlaps and exchanges with other like ecosystems, not just musical ones, but artistic, political, and social ones as well. Perhaps only George Lewis’s A Power Stronger Than Itself and Kevin Whitehead’s New Dutch Swing have managed to capture the intricacies of free music – or what Lewis has termed “experimentalism” – in this way, with the depth and feeling that it deserves. "Harald Kisiedu’s magnificent European Echoes: Jazz Experimentalism in Germany, 1950-75 joins the ranks of these groundbreaking books, adding indispensable substance to the current scholarship. Basing his argument on meticulous primary research that includes many unknown or under-discussed details, Kisiedu moves deftly between biography, history and analysis, ultimately depicting improvised music in Germany as part of a continuum with African American jazz, rather than falling into line with received knowledge, which has tended to treat it as a major break – an “emancipation,” to use the problematic language often deployed – from its precursors and contemporaries in the United States. This allows Kisiedu to investigate the complexities of race, in particular, in the emergent new music of both West and East Germany, but also to evaluate the specificity of German improvised music, its relationships to Fluxus and its place in relation to new art and contemporary composed music in Europe, and the political and social contexts of the divided country in which it all emerged. Along the way, Kisiedu provides the most detailed biographical portraits of his principal subjects – Peter Brötzmann, Alex Schlippenbach, Manfred Schoof, and Ernst-Ludwig Petrowsky – yet published in English, and the book includes an important trove of newly discovered and previously unpublished photographs.“   John Corbett, Chicago, author of „A Listener’s Guide to Free Improvisation“ "Harald Kisiedu’s groundbreaking interdisciplinary study trenchantly illuminates how during the Cold War and after, first-generation German and Swiss experimental musicians challenged national, political, conceptual, and racial borders to produce cosmopolitan new forms and practices of free improvisation. Kisiedu brings the study of improvised music together with German studies, critical race theory, and political science to produce a rigorous yet intimate portrait of the musical, cultural, and personal relationships among highly innovative musicians who shaped a new future of music.“  George E. Lewis, author of „A Power Stronger Than Itself: The AACM and American Experimental Music“

IONE is a Dream Keeper: a facilitator of dreams. Sharing this intimate part of our being, she believes, can be the start of new ways of being with one another. Exploring the reality of the dream and the dream of reality over many decades has led IONE to appreciate the quantum nature of dreams. Weaving science and dream traditions from around the world together with her own memories and the dreams of her friends and community members, Quantum Dreaming shows that as we start practising awareness, our consciousness also deepens.IONE and Pauline Oliveros’s shared vision of a harmonious, self-sustaining network of artists and dreamers led to the founding of the Deep Listening Institute. Quantum Dreaming similarly seeks a radical shift in our collective consciousness, across all states of dreaming and waking.Afterword by Sarah shin  Images by Sammy Lee  Paperback, 113x160mm, 96pp Silver Press/ Spiral House, Portals Series, London, June 2025

Careening through 850+ releases, from chaotic sound collage work to their eight-and-a-half-hour magnum opus, named LUX, we find out how Octa Mobius Sheffner’s career came to its end, who they think is winning the current musical ‘arms race’ and watching the Western culture eat itself from 6,000 miles away. (This edition also comes with an exclusive cassette release of Octa’s EP Rules + cloth-. This breathtaking post-industrial journey, limited to 30 cassettes, is a rare opportunity to experience Octa’s music in physical form.)   We catch up with Will Wiesenfield to find out more about the alias Baths, the new album Gut and how it’s even more shamelessly honest than everything that has come before it. After which we head to Corsica to watch him dodge theatrically between venue-rattling beats and snares.   A mainstay of the online music scene sadly passed away this year. Alan Morse Davies was a friend to many and a collaborator of a lucky few. We give space to those who knew him to remember, in hopes that more will appreciate his impact.   The aficionado of ambient balladry, Lucy Liyou, provides an insight into the music behind her truly unique sound. This edition also features analysis of the biggest releases from the past month and reviews of hidden gems, including from Ninajirachi, Twin Galaxxies and Briana Marela.  A5, staplebound, 24pp listencorp, October 2025 listencorp.co.uk

The second Norient book «Seismographic Sounds: Visions of a New World» introduces you to a contemporary world of distinct music, sounds and music videos. Niche Music from Johannesburg to Helsinki, Jakarta to Los Angeles that speaks of a changing geography of multi-layered modernities, far beyond old ideas of North versus South, West versus East. Edited by Theresa Beyer, Thomas Burkhalter, and Hannes Liechti   Scholars, journalists, bloggers and musicians from Bolivia, Pakistan, Nigeria, Switzerland and forty-six other countries discuss artistic expressions that may not make big headlines yet, but anticipate major changes to come. Produced in oftentimes small studios from Jakarta to La Paz, Cape Town to Helsinki, these works experiment with the new possibilities of the Internet age and illuminate new spaces beyond the confines of commercialism, propaganda, and bigotry. They foresee a changing geography of multi-layered modernities, far beyond old ideas of North versus South, West versus East. Discover this through a collage of articles, interviews, quotations, photographs and lyrics. - music and money, music an loneliness, music and war, exotica, gender, sampling-culture, post-digital pop - Punk in Bolivia and Indonesia, Electronic Music in Egypt, Underground Pop from South Africa and Nigeria, Rap in Pakistan, Serbia, Chile and Ghana, Noise Music from Israel, Seapunk and Vaporwave from the US, Post Digital Pop from the UK, Neuer Konzeptualismus, and much more. contributions by Aisha Deme, Jenny Mbaye, Wayne Marshall, Cande Sánchez Olmos, John Hutnyk, Thomas Burkhalter, Andy Bennett, Theresa Beyer, Sandeep Bhagwati, Hillegonda C. Rietveld, Ali Haider Habib, Arie Amaya-Akkermans, Martin Daughtry, Hannes Liechti, Derek Walmsley, Elijah Wald, C-drík Fermont, FrankJavCee, Florian Sievers, Percy Mabandu, Louise Gray, Nabeel Zuberi, Kimberly DaCosta Holton, Julio Mendívil, Oliver Seibt, Nana Darkoa Sekyiamah, Emma Dabiri, Jonathan Fischer, B Camminga, Sonja Eismann, Michael Rebhahn, Eduardo Navas, Adam Harper, and many more.edited by Theresa Beyer, Thomas Burkhalter, Hannes Liechti Softcover, 504ppNorient Books, Bern, 2015Languages: English (75%), German (24%), French, Italian (1%)

The new Norient book Home is Where the Heart Strives explores what place means in relation to music and sound. 85 contributors from 38 countries map their sonic landscapes of migration, war, queerness, and home through essays, poems, articles, artworks, photos, and songs. From a metalhead smuggling banned tapes across the Syrian border to an oasis in the mountains of Bogotá where people gather to vogue, we are looking for places where differences don’t dissolve but resonate.   with contributions by Lendl Barcelos, Bananamonkey, Basil Anliker aka Baze, Marina Benetti, Persis Bekkering, Birds WG, Penelope Braune, Thomas Burkhalter, Kadallah Burrowes, Sinatra Chumo, Juliana Cuervo, Sumangala Damodaran, Domingos, Rana Eid, Ronja Falkenbach, Faravaz Farvadin, Šejma Fere, Vera Fonseca, Chandra Frank, Sally Garama, Dennis Gupa, Rehab Hazgui, Sizo Hlope, Hitman Kaht, Umi Hsu, Ibaaku, Andra Ivănescu, Bruce Johnson, Devangana Kalita, Paul Kammies, Raphael Kariuki aka djrPH, Karun, Anahid Kassabian, Paola LaForgia, Sasha J. Langford, Lutivini Majanja, Chris McGuinness, Elia Meier, Luigi Monteanni, Zahra Motallebi, Jesse Munene, Isaac Abraham Williams aka Isaac Mutant, Natasha Narwal, Janina Neustupny, Saba Niazmand, Kai Oh, Shaahin Peymani, Vinzent Maria Preuẞ, Nazifah Raidah, Philipp Rhensius aka Alienationist, Urs Rihs, Rami Sabbagh, Tanasgol Sabbagh, Sergio Salazar, Justin Oliver Salhani, Jacek Szczepanek Nate Sloan, André Santos, Diana Santos, Ali Sayah, Tillman Severin, Martin Stokes, Studio Flux, Anubhuti Sharma, Majd Shidiac, Jorgé Aarón Silva Rodríguez, Thasil Suhara Backer, Suvani Suri, Gisela Swaragita, Pjotr Tkacz-Bielewicz, Shzr Ee Tan, Wiwi Tri, Fujiko Urdininea, Maria Uthe, Ujif_notfound, Upendra Vaddadi, Abhishek Vidyarthy Singh, Johann Voigt, Elijah Wald, McKenzie Wark, Arief Wibisono, Ytasha Womack, Kimihiro Yasakaedited by Philipp Rhensius, Janina Neustupny, Thomas Burkhalter, Hannes Liechti, and Vinzent Maria Preuß    Softback ,16.5 × 23.5 cm, full colour, 314ppNorient Books, Bern, July 2025

The Norient Special Sonic Traces: From Italy is a multi-layered, multimedia approach to the open question of «Italian Identity» in sound and music. Through a variety of approaches, from essay to memoir, interview, video playlist, and open letter, Sonic Traces: From Italy hopes to foster a broader conversation on the past and present of Italian culture, as it asks the unanswered question: What can be labeled as Italian music, after all?  edited by Francesco Fusaro With contributions by Riccardo Balli, Lorenzo Brusci, Federico Campagna, Lorenzo Cibrario, Luca Locati Luciani, Sonia Garcia, Paola Laforgia, Marco Mancassola, Maria Catena Mancuso, Nathasha Edirippulige Fernando, Seb Patane, Agostino Quaranta, Bruno Rana, Justin Salhani Softcover, 132pp Norient Books, Bern, May 2021

When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own.  Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of Always Coming Home. Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. The Word for World brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined.  Contributors: Federico Campagna, Theo Downes-Le Guin, Daniel Heath Justice, Bhanu Kapil, Canisia Lubrin, Una McCormack, David Naimon, Nisha Ramayya, Shoshone Collective, Standard Deviation, Marilyn Strathern. Co-published by Spiral House and AA Publications to coincide with an exhibition of Ursula K. Le Guin’s maps at the Architectural Association, London, opening on 10 October 2025.  edited by So Mayer & Sarah Shin Paperback, 112 pp Spiral House, October 2025

Optically Suspicious is a publication by Matrijaršija on the life, work, and cultural and artistic activities of the Union of Graphic and Typographic Workers of Yugoslavia. The book is the result of research in the Union’s archives in the Printed Material Collection of the Museum of Yugoslavia in Belgrade. Matrijaršija reconstructs the forgotten history of the leftist graphic and typographic workers by studying the Union’s posters and leaflets, which bear witness to their rich artistic and cultural programme realised between 1920 and 1941. The book offers engaging theoretical discussions on the importance of cultural and artistic (self-)organisation and the significance of solidarity among workers in the printing industry. The members of the Matrijaršija collective bring this history to life in a series of collages, visual poems, plays, and short stories. Optically Suspicious is the first volume in the ‘tehnika’ series, which focuses on the technical aspects of radical publishing practices. The volumes in the series will discuss the ways in which radical and independent publishing practices introduce entirely new forms of printing, typography, design, distribution and content. Edited by Rab-Rab Press, Matrijaršija and Baraba, the aim of the series is to deal with the actuality of the fluid form of revolutionary printing “techniques” and to develop and connect them with contemporary publishing practices. Conceived, designed and printed by Matrijaršija, Optically Suspicious is entirely manufactured with risporint and is the expanded edition and translation of the first Serbo-Croatian version published in 2022 in collaboration with the Museum of Yugoslavia. Founded in 2014 in Belgrade, the autonomous cultural centre Matrijaršija is a collective focused on printmaking and independent publishing. With over a decade of experience in screen printing and five years in risograph printing, it promotes experimental techniques and practices, as well as alternative forms of artistic organisation.Pocket-sized Hardcover  Rab-Rab,

Wanting Something Completely Different discusses a range of political figures, themes, directors and writers in a series of brief, evocative descriptions (‘vignettes’) aimed at laying out a vision of a modern, cosmopolitan left that can think creatively about the world we live in. The political figures include both thinkers and activists from a wide range of backgrounds — from Frantz Fanon and the Palestinian novelist Ghassan Kanafani to the theologian Dietrich Bonhoeffer and the murdered Russian journalist Anna Politkovskaya. The themes range equally widely from the death of Walter Benjamin (reconstructed here from a remarkable documentary on the same theme) and the slaying of Pasolini to the work of British Marxist Perry Anderson, or the corrupt nature of India’s leading corporate groups, or the outstanding contributions of Italian and U.S. Black feminists to feminist theory. And under the rubrics which discuss film and literature, there is the same striving for diversity and depth. Jairus Banaji is a historian who received the Isaac and Tamara Deutscher Memorial Prize in 2011. His academic work has ranged widely across sources and languages, with major books on Late Antiquity and (most recently) commercial capitalism as well as numerous papers and articles. The vignettes collected in this Rab-Rab book reflect the same dazzling versatility and passion for ideas. They were first circulated on Facebook over some seven years or more and are reproduced here with a new introduction and extensive bibliographical references and notes. Designed by Ott Kagovere, the book is printed in 500 copies and can be ordered either directly from our website or through our distributors. Wanting Something Completely Difrerent - 111 Vignettes of Left-Wing Figures, Themes, Films & Writers Softcover, A4 Rab-Rab, 2nd edition, Summer 2025

In BODYBUILDER, Derek Coulombe forms an elliptical correspondence between his own experience of Tourette’s Syndrome and Umberto Boccioni’s futurist sculpture Unique Forms of Continuity in Space. In this hybrid genre work of fabulist criticism Boccioni's sculpture becomes an obsessively deconstructed central character through which Coulombe reflects on the inherently repetitive, scatological, and convulsively queer properties of his own Tourettic situation.    Tourette’s Syndrome (a movement disorder that causes involuntary tics, convulsions, movements, and utterances) causes a body to assume specific physical shapes in the world without the body having meant to do so, and in this way, produces a scenario where the affected body is both assuming postures as well as watching these postures being enacted from a remove. This forced, partial removal creates a unique situation where Coulombe can view his body as an external object—as a series of surfaces and volumes—as something more like a sculpture or a painting. From this specifically disordered framework, Coulombe takes Unique Forms of Continuity in Space as a kind of malleable proxy where the sculpture becomes a figurative hub for an exploration of disabled embodiment and movement through the production of increasingly aberrant fictive vignettes.Softcover, 126 x 178mm, 84 pages Hildegard Press, Canada 2024

We Jazz Magazine, Issue 16 / Fall 2025 "Thembi" for Pharoah Sanders. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. 50 pages of Pharoah Sanders by Philip Arneill, Henry Boon, Pierre Crépon, Tony Higgins, Arsi Keva, Patrick Preziosi, Andy Thomas, Seymour Wright, Tomoki Sanders by Tej Adeleye, Don Cherry by Magnus Nygren, Sinsuke Fujieda by Rui Miguel Abreu, Jameszoo by Rob Garratt, Tony Purrone by Wolfgang Mowrey, Reco's Mini LP Covers, Discaholic column by Mats Gustafsson, album reviews, live reviews, photo essay & more. Front cover illustration by Nina Eggeman / JAW Family.Magazine, Softcover, 128pp We Jazz, Helsinki, Autumn 2025

We Jazz Magazine, Issue 15 / Summer 2025 "Forfolks" for Jeff Parker. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Jeff Parker by Andy Beta, Peter Margasak & Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay & more.Softcover Magazine, 120pp We Jazz, Helsinki, Summer 2025

The short-lived Blitz club in London’s Covent Garden was more than somewhere to hang out or be seen: it was a catalyst for cultural explosion, a counter-culture blast against everything Thatcher’s leadership had ushered in by the dawn of the 80s. Tuesday nights boasted a ferocious, fearless cast – from Boy George and Spandau Ballet to Grayson Perry and Peter Doig, to Michele Clapton, Sade and Alexander McQueen. This was the vanguard of a different England; socially liberal, loud, proud and diverse, fiercely individualistic and determined to succeed. Britain was black and white; the Blitz Kids switched on the colour. In Blitz, Elms reflects on a club night founded by working-class kids, one whose impact reverberated beyond its doors, through the worlds of Art, Literature, Fashion and Music, and into the present day.Hardcover, 285pp faber & faber 2025

Effects 4 orbits around holes. Holes draw our attention to the periphery, the edges of the visible, bringing to the fore what typically disappears into the margin. The issue explores holes in the psyche and the body, political and philosophical holes, holes in architecture and geology, holes as destructive as well as productive, holes as grave-pits, holes as birth-canals. Effects 4: Holes includes new essays on holes by Richard Boothby, Lorens Holm, Ani Maitra, Tabitha Steinberg, Noel W Anderson, Hilary White, Tim Martin, Jeffrey Stuker and Christopher Page; interviews with artists Paul Pfeiffer and Mary Helena Clark on holes and their work; new poems on holes by Daisy Lafarge and Christopher Carlton; and artworks the mobilise holes and voids by Eric N. Mack, Milano Chow, Larissa Sansour and Søren Lind, Adam Putnam, Carolee Schneemann, Clementine Keith-Roach, Jess Gough, Patricia Treib, Lyndon Harrison, Natalia Romik, Lakshmi Luthra and Nnena Kalu.Softcover, 240 × 180 mm, 218 pp.Full colourEffects, 2025  https://effects-journal.com/about Effects is a journal of art, poetry and essays. It is devoted to thinking about aesthetic effects, their social and philosophical histories and contemporary lives. Effects was founded in 2018 by Christopher Page and Orlando Reade and is currently edited by Clementine Keith-Roach, Lakshmi Luthra, Christopher Page, Matt Rickard, Jeffrey Stuker, Florence Uniacke and Jan Tumlir.