faber, 2009   she sits aloof ten yards fifteen yards she looks up looks at me says at last to herself all is well he is working my head where is my head it rests on the table my hand trembles on the table she sees I am not sleeping the wind blows tempestuous the little clouds drive before it the table glides from light to darkness darkness to lightPublished in French in 1961, and in English in 1964, How It Is is a novel in three parts, written in short paragraphs, which tell (abruptly, cajolingly, bleakly) of a narrator lying in the dark, in the mud, repeating his life as he hears it uttered - or remembered - by another voice. Told from within, from the dark, the story is tirelessly and intimately explicit about the feelings that pervade his world, but fragmentary and vague about all else therein or beyond.

This exhilarating collection of non-fiction sees one of the greatest twentieth-century writers meditating on the moments that make up a life 'How did I so unwittingly transform the joy of living into the great luxury of being alive?' Between 1967 and 1977, the internationally renowned author Clarice Lispector wrote weekly dispatches from her desk in Rio for the Jornal do Brasil. Already famous for her revolutionary, interior, metaphysical novels and short stories, in her Chronicles she turned her attention to the everyday, reshaping the material of her life into profound, touching and funny, tiny revelations. Observing the world around her, small encounters like hearing tales of the lost loves of a taxi driver, or the bitterness lurking beneath the prettiness of an old friend, become an exposition of the currents and foibles that define our lives. Everything from the meaning of cosmonauts to the new ideas, writers and artists that populate the sparkling international world of the sixties and seventies are considered and transformed into jewels of insight, delight and devastation. Sincere and playful, exhilarating and contemplative, Too Much of Life: Complete Chronicles opens up a new way of seeing the world.

Trade Paperback9 inches x 11 inches400 pages, 387 ImagesThe story of the legendary Swedish psych rock band Träd, Gräs och Stenar is also a defining story of alternative culture. Across multiple incarnations, the musicians of this iconic group (whose name translates to “Trees, Grass and Stones”) have drawn on their roots in jazz and the avant-garde, the iconoclastic art and theater of the 1960s, and the back-to-the-land “green wave” movement to blaze a pioneering trail across fifty years of endlessly improvisational, resolutely DIY rock and roll jams. Published for the first time in English, the book features the collective’s members telling their own story, accompanied by a vast archive of photographs, newspaper clippings, posters, flyers, album covers, and paintings. With its in-depth oral history and rich visuals, this book provides valuable insight into over five decades of internationally-renowned musical and countercultural innovation.

Publisher: PrestelISBN: 9783791384702Number of pages: 320Dimensions: 298 x 241 mmFeaturing rarely seen multimedia works by the revered cult filmmaker David Lynch, this revelatory book shows how he applies his powerful imagination and visual language across genres. David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This book brings together Lynch's paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch's often-macabre movies. Others explore his fascination with texture and collage.

adventure in field recording & electronic music  Ears To The Ground explores the relationship between electronics, landscape and field recordings in the UK, Ireland and around the globe, discovering how producers and artists evoke the natural world, history and folklore through sampled sounds. Composed of extensive interviews with music producers, the book shows how field recordings have become a vital way of understanding, celebrating and interrogating the landscape and the places we live. The book features interviews with Leafcutter John, KMRU, Ultramarine, Kate Carr, Erland Cooper, Proc Fiskal, Flora Yin-Wong, Langham Research Centre, Claire Guerin, Toshiya Tsunoda, Lawrence English, Heinali, Oliver Ho, Matthew Herbert, Matmos, Scanner, Felicia Atkinson and many more.

translated by John Berger & Rema Hammami August, 2017, verso, 88ppOne of the greatest poets of the last half-century,his work evokes the loss of his homeland and is suffused with the pain of dispossession, exile and loss. His poems also display a brilliant acuity, a passion for and openness to the world and, above all, a deep and abiding humanity. Here, his close friends John Berger and Rema Hammami present a beautiful new translation of two of Darwish’s later works, his long masterpiece Mural, a contemplation of his life and work written following life-threatening surgery, and his last poem, “The Dice Player,” which Darwish read in Ramallah a month before his death. Illustrated with original drawings by John Berger, Mural is a testimony to one of the most important and powerful poets of our age.

Pages: 320 Illustrations: 20 illustrations Published: August 2023Drawing on time spent in the minimal techno and house music subscenes in Chicago, Paris, and Berlin as the first decade of the new millennium came to a close, Garcia-Mispireta explains this bonding in terms of what he calls stranger-intimacy: the kind of warmth, sharing, and vulnerability between people that happens surprisingly often at popular electronic dance music parties. He shows how affect lubricates the connections between music and the dancers. Intense shared senses of sound and touch help support a feeling of belonging to a larger social world. However, as Garcia-Mispireta points out, this sense of belonging can be vague, fluid, and may hide exclusions and injustices. By showing how sharing a dancefloor involves feeling, touch, sound, sexuality, and subculture, Garcia-Mispireta rethinks intimacy and belonging through dancing crowds and the utopian vision of throbbing dancefloors.

Publisher: Faber & FaberISBN: 9780571220182Number of pages: 336Weight: 340 gDimensions: 216 x 135 x 24 mmIn this definitive career-length interview book, Lynch speaks openly about the full breadth of his creative work, which encompasses not only movies but also a lifelong commitment to painting, a continuing exploration of photography, extensive work in television, and musical collaborations with composer Angelo Badalamenti and singer Julee Cruise.

6 x 0.93 x 9 inches   December 1, 2014 280 pages Johns Hopkins University Press Through extended analyses of works by African American and Afro-Caribbean writers―including N. H. Pritchard, Suzan-Lori Parks, NourbeSe Philip, Kamau Brathwaite, Claudia Rankine, Douglas Kearney, Harryette Mullen, and Nathaniel Mackey―Reed develops a new sense of the literary politics of formally innovative writing and the connections between literature and politics since the 1960s. Freedom Time reclaims the power of experimental black voices by arguing that readers and critics must see them as more than a mere reflection of the politics of social protest and identity formation. With an approach informed by literary, cultural, African American, and feminist studies, Reed shows how reworking literary materials and conventions liberates writers to push the limits of representation and expression.

The second dose of Fahey on Fahey. The tales and travels of an American legend. Paperback, 129 pages

We Jazz Records is a label based in Helsinki releasing cutting edge jazz music on vinyl + additional formats.The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album & live reviews, plus more.

Part of a special series curated by Roy Claire Potter on occasion of the upcoming launch of The Wastes, published this June by Bookworks.    December, 2006 Duke University Press pp.240  In this groundbreaking work, Sara Ahmed demonstrates how queer studies can put phenomenology to productive use. Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.   Ahmed proposes that a queer phenomenology might investigate not only how the concept of orientation is informed by phenomenology but also the orientation of phenomenology itself. Thus she reflects on the significance of the objects that appear—and those that do not—as signs of orientation in classic phenomenological texts such as Husserl’s Ideas. In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Queer Phenomenology points queer theory in bold new directions.

Part of a special series curated by Roy Claire Potter on occasion of the upcoming launch of The Wastes, published this June by Bookworks.  Rough trade books, May 2023 17.1 x 1.5 x 12.9 cm        168pp 978-1914236310   Do Your Own Thing is a full-length work of non-fiction from artist and musician RICHARD PHOENIX detailing his experiences of the best underground arts scene you’ve never heard of—Do Your Own Thing, a project run by learning disability arts organisation Heart n Soul.Looking at the transformative potential of working to support creative young people make the music and art they want to, this book contributes essential new voices, reflections and considerations to the established ideas of ‘Do It Yourself’ culture. Phoenix’s book, written with a disarming and idiosyncratic voice, asks what our often reductive understanding of DIY aesthetics might mean in light of questions about access, support and who gives permission to whom to make art, guiding us through the kind of project only spoken about in funding reports and transforming it into a polyphonic, collaborative and joyful work of art.

Part of a special series curated by Roy Claire Potter on occasion of the upcoming launch of The Wastes, published this June by Bookworks.  faber, 2014  originally published 1972 Edna O’Brien (born December 15, 1930, Tuamgraney, County Clare, Ireland) is an Irish novelist, short-story writer, and screenwriter  Edna O'Brien's haunting spectre of a novel, Night, is narrated by one of her most memorable characters, Mary Hooligan. Lying on a four-poster bed, unable to sleep, she recounts her (mis)adventures, courtships, and sexual encounters of the most transgressive kind in a narrative voice of blistering, radical originality.

Part of a special series curated by Roy Claire Potter on occasion of the upcoming launch of The Wastes, published this June by Bookworks.  ISBN: 9781913689711 Paperback with flaps144 pp. | 124 x 191 mm published, May 2023, Strange Attractor PressThe legendary lost novel in which fourteen-year-old Preston Wildey-King must choose between his all-consuming passion for Pepsi Cola and his love for schoolmate Peggy."He walked into the turbulent super market. There were people everywhere. His eyes swept over the shelves and stabilised on a large stack of Pepsi-colas. He could almost experience the cool fizzy liquid descending his parched throat."Written by June-Alison Gibbons when she was only 16, The Pepsi Cola Addict is considered one of the great works of twentieth-century outsider literature. More than just a literary curiosity, however, this tale of a teenager whose passion for a well-known cola drink threatens to ruin his life is the uniquely vivid expression of a young woman trying to make sense of the confusing, often brutal world she in which found herself.Published in 1982 by a vanity press who took £800 from its young author and gave her only a single book in return, it's thought that fewer than ten original copies still exist in the world.Shortly after its publication, June-Alison and her sister Jennifer would become infamous as "The Silent Twins" and find themselves cruelly incarcerated for over a decade in Broadmoor Hospital. This author-approved edition makes June-Alison Gibbon's remarkable vision widely available for the first time.

Part of a special series curated by Roy Claire Potter on occasion of the upcoming launch of The Wastes, published this June by Bookworks.  Pages: 312 Published: December 2017, Duke University PressIn Authoring Autism M. Remi Yergeau defines neurodivergence as an identity—neuroqueerness—rather than an impairment. Using a queer theory framework, Yergeau notes the stereotypes that deny autistic people their humanity and the chance to define themselves while also challenging cognitive studies scholarship and its reification of the neurological passivity of autistics. They also critique early intensive behavioral interventions—which have much in common with gay conversion therapy—and questions the ableist privileging of intentionality and diplomacy in rhetorical traditions. Using storying as their method, they present an alternative view of autistic rhetoricity by foregrounding the cunning rhetorical abilities of autistics and by framing autism as a narrative condition wherein autistics are the best-equipped people to define their experience. Contending that autism represents a queer way of being that simultaneously embraces and rejects the rhetorical, Yergeau shows how autistic people queer the lines of rhetoric, humanity, and agency. In so doing, they demonstrate how an autistic rhetoric requires the reconceptualization of rhetoric’s very essence.

205 x 255mm 208 pages, softcover Sternberg Press, 2024A career-spanning catalogue featuring excerpts from Raven Chacon’s scores, musical prompts, and drawings interspersed with full-color documentation and descriptive texts of installations, sculptures, and performances. Raven Chacon is a composer and artist creating musical experiences that explore relationships among land, space, and people. In an experimental practice that cuts across the boundaries of visual art, performance, and music, Chacon breaks open musical traditions and activates spaces of performance where the histories of the lands the United States has encroached upon can be contemplated, questioned, and reimagined. In 2022, Raven Chacon became the first Native American to win the Pulitzer Prize for Music, and was awarded a prestigious MacArthur “genius” fellowship in 2023. The publication features newly commissioned texts including three long-form essays by Aruna D'Souza, Anthony Huberman, and Dylan Robinson/Patrick Nickleson; experimental short-form writing by Raven Chacon, Lou Cornum, Ingir Bål Nango, Marja Bål Nango, Eric-Paul Riege, Ánde Somby, and Sigbjørn Skåden; an introduction by Katya García-Antón and Stefanie Hessler; and a conclusion by Candice Hopkins.

With a Foreword (Programme Notes) by Erika Balsom ;an ‘Intermission’ from Bill Drummond ;& an Afterword by Nicole Brenez ...Edited by Dominic JaeckleTenement #10 / ISBN: 978-1-7393851-1-8324pp / 140 x 216mmDesigned and typeset by Traven T. CrovesPublished November 5th 2023, Tennement PressAll films are haunted, both by the immortal light of the sooner-or-later dead that they curate, and by the filaments of meaning they extrude into unscripted human lives. Last Movies is an unexpectedly revealing catalogue of final interchanges between imminent ghosts and counterpart electric spectres on the screen’s far side. Profound and riveting, Schtinter’s graveyard perspective offers up a rich and startlingly novel view of cinema, angled through cemetery gates before the closing credits. A remarkable accomplishment.Alan Moore