Breathing air as dark swallows

Audrey Chen & Kaffe Matthews

1 1 9:16
2 2 10:14
3 3 12:32
4 4 10:17

All new file exchange mind-melter from 2nd generation Chinese/Taiwanese-American musician Audrey Chen & British electroacoustic artist Kaffe Matthews:

"Breathing air as dark swallows was made during the three month COVID-19 lockdown period in Berlin 2020. Kaffe and I decided to embark on a music exchange after participating in a chain recording project isolated.connected initiated by Sabine Vogel. The first track of this album is the result of that, our first sonic meeting, inspired by prior recordings by Sabine and Michael Thieke. We then decided to continue the process by taking it in turns to send each other improvised solos to which the other would respond, producing four highly tactile and intimate breathing movements. Kaffe plays digital oscillators through a glu-box, whilst processing through resampling and granulation. Spatialization is via the pink ball Java interface and Touch OSC. I use my voice." - Audrey Chen

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Audrey Chen & Kaffe Matthews - voice & live electronics

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Recorded and mixed by Kaffe Matthews, Audrey Chen and Henrik Munkeby Nørstebø, April to June 2020.
 
Mastered by Tara Transitory and Nguyễn Baly at Queer Ear Mastering
 
Cover image by Götz Rogge - camera obscura art 
 
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Audrey Chen

AUDREY CHEN is a second-generation Taiwanese American artist based in Berlin. Her work explores migration, memory and the transmission of untold histories through voice and the body. Using extreme vocal techniques and the Ciat-Lonbarde “Fourses” synthesizer, she creates visceral performances where body, space and sound merge in a feedback loop of resonance and imagination. For over two decades, she has toured internationally, performing solo and in long-term collaborations including duos with Phil Minton, Henrik Munkeby Nørstebø (as BEAM SPLITTER), Lukas Koenig and Julien Desprez (as MOPCUT), Kaffe Matthews, Nick Klein and Hugo Esquinca. Her work has been presented at festivals and venues such as Maerzmusik, CTM, Unsound, Wien Modern, Berghain, Zacheta National Gallery and the Watermill Center. The Wire describes her practice as “uncompromising and idiosyncratic… tightly disciplined yet acoustically wild,” exposing the raw physicality of voice and utterance.
https://www.audreychen.com/