3 Nights at Cafe OTO

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Complete audio recordings of Evan Parker, John Edwards and Eddie Prévost's May 2013 residency at Cafe OTO. 

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Evan Parker / tenor saxophone

John Edwards / double bass

Edwin (Eddie) Prévost / drums

Alexander von Schlippenbach / piano

Christof Thewes / trombone

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"Given the different line-ups and the inclusion of both sets from each of three nights, the listener is presented with the chance to hear the music exposed and developing in many dimensions. Not only can each player be heard by himself and in shifting combinations - duet, trio or quartet - with the others, but the progression in mood and approach across an entire evening can be clearly appreciated. This is particularly marked on the second disc, where the careful exploration of the first set is succeded by the all-in surge of the second, which begins as if the four are resuming an interruped conversation. From the first night to the last, the music played over these three nights is of the highest quality. What can't be captured in the discs, but should never be underestimated, is the presence of listeners whose attentiveness cleared and charged the space in which the performers could do their work of creating a music as delicate in its inner workings as it is robust in its insistance on building for itself, night after night, a world without walls." - Richard Williams. 

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Audio recorded by Giovanni LaRovere. Mastered by Rupert Clervaux. 

Available as a 320k MP3 or 16bit FLAC download. 



Tracklisting:

1. 27th May 2013 - Set 1 - 31:35 (Parker/Edwards/Prévost)

2. 27th May 2013 - Set 2 - 36:15 (Parker/Edwards/Prévost)

3. 28th May 2013 - Set 1 - 31:53 (Schlippenbach/Parker/Edwards/Prévost)

4. 28th May 2013 - Set 2 - 33:39 (Schlippenbach/Parker/Edwards/Prévost)

5. 29th May 2013 - Set 1 - 40:22 (Thewes/Parker/Edwards/Prévost)

6. 29th May 2013 - Set 2 - 38:05 (Thewes/Parker/Edwards/Prévost)

Eddie Prévost

Eddie Prévost plays with immense fire, grace and invention. Founder of the essential AMM, collaborator of the greatest improvisers internationally, since the 60's he has kept a continuous contact with the scene and always manages to invent anew his contribution to "meta-music".

“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker

“Relentlessly innovative yet full of swing and fire.” – Morning Star

Evan Parker

"If you've ever been tempted by free improvisation, Parker is your gateway drug." - Stewart Lee 

Evan Parker has been a consistently innovative presence in British free music since the 1960s. Parker played with John Stevens in the Spontaneous Music Ensemble, experimenting with new kinds of group improvisation and held a long-standing partnership with guitarist Derek Bailey. The two formed the Music Improvisation Company and later Incus Records. He also has tight associations with European free improvisations - playing on Peter Brötzmann's legendary 'Machine Gun' session (1968), with Alexander Von Schlippenbach and Paul Lovens (A trio that continues to this day), Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, and Barry Guy's London Jazz Composers Orchestra (LJCO). 

Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time. 

John Edwards

John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.

"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment