Friday 12 October 2018, 7.30pm, OTO Project Space

OTO PROJECT SPACE: WARM (Sounds of Dalston) – Alan Wilkinson / Lee Boyd Allatson / John Russell / Hannah Marshall

No Longer Available

Alan Wilkinson (reeds), Lee Boyd Allatson (drum set), John Russell (guitar) and Hannah Marshall (cello) team up with the Oto Project Space and ambient sounds of Dalston.

Four musicians improvising in various combinations, responding to the sound within the space, and also from Dalston via outside microphone feeds. This evening’s event will celebrate recordings made by the ensemble earlier in the day.

WARM (Sounds of Dalston) is set for release in 2019.

“Art may be practiced in one way or another, so that it reinforces the ego in its likes and dislikes, or so that it opens that mind to the world outside, and outside inside.” – John Cage.

Alan Wilkinson

Alan Wilkinson was a formative part of the Leeds experimental music scene in the 80s, founding the Termite Club and as part of the ferocious Hession/Wilkinson/Fell trio. Since relocating to London in 1990 he has continued to play and promote the music and remains one of the most powerful saxophone voices around today, recently adding bass clarinet to his usual Alto and Baritone. He has played with Derek Bailey, Peter Brötzmann, Chris Corsano, Akira Sakata, Thurston Moore, Spiritualized and many others, and is currently active with his Norwegian quartet Akode, Wilkinson/Edwards/Noble, Mark Wastell groups, The Founder Effect and running his club night flimflam.

"At its highest points, this session unleashes some of the most preposterously powerful energy jazz heard since Peter Brötzmann's Yatagarasu trio with Takeo Moriyama and Masahiko Satoh" - Daniel Spicer, The WIRE

John Russell

“for Russell the fingerboard is apparently multiple. He finds new tones in the same place, new relationships in the same gesture. A second trip across the fingerboard is always a different excursion. The harmonic is a transparent sound: silence and ambient sound pass through it. It accounts for Russell’s unhurried pace and his sense of order, even when he’s playing fast: there’s simply so much going on.” - Stuart Broomer, Point of Departure 

John Russell got his first guitar in 1965 while living in Kent and began to play in and around London from 1971 onwards. An early involvement with the emerging free improvisation scene (from 1972) followed, seeing him play in such places as The Little Theatre Club, Ronnie Scott’s, The Institute of Contemporary Arts, The Musicians’ Co-Op and the London Musicians’ Collective. 

From 1974 his work extended into teaching, broadcasts (radio and television) and touring in the United Kingdom and, ever extensively, in other countries around the world . He has played with many of the world’s leading improvisers and his work can be heard on over 50 CDs. In 1981, he founded QUAQUA, a large bank of improvisers put together in different combinations for specific projects and, in 1991, he started MOPOMOSO which has become the UK’s longest running concert series featuring mainly improvised music. 

Hannah Marshall

Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra.