Very pleased to present a three-day residency with the great drummer-composer and multi-instrumentalist, Valentina Magaletti, drawing on the incredible depth and variety of her creative practice, and encompassing solo sets, new collaborations, films screenings and talks.

Magaletti's versatile technique, which can incorporate anything from vibes and marimba to contact microphones and found objects, results in a style that is forever evolving. Feeling just as comfortable performing behind a delicate ceramic kit as she does hammering out motorik rhythms, her creative take on percussion has resulted in a diverse discography and many interesting collaborations.

As a drummer, Magaletti moves effortlessly between the seemingly disparate worlds of alternative and mainstream music. She has played with artists such as Jandek, Pat Thomas, Deb Googe, Malcolm Mooney, Thurston Moore, Steve Beresford, Steve Shelley, Lafawndah, Mica Levi, Sampha, Kamasi Washington, and Nicolas Jaar to name a few. In addition to collaborating with the gamelan Ensemble Nist-Nah and drummers Malcom Catto, Julian Sartorius and Charles Hayward, she has played with stalwarts of the experimental underground scene like Gnod’s Marlene Ribeiro, Wire’s Graham Lewis, and Thighpaulsandra (Coil). In 2017, Valentina participated in The Can Project, standing in for the late Jaki Liebezeit, at London’s Barbican Centre.

Magaletti’s compositional credits are just as elaborate: with Tom Relleen, she was one half of Tomaga, the critically acclaimed electronic duo; with Al Wootton, she creates irresistible claustrophobic dub as Holy Tongue; with Pino Montecalvo, under the Avvitagalli alias, Valentina improvises intricate sonic collages; alongside percussionist João Pais Filipe, as CZN, she constructs hallucinatory rhythmic worlds, which are as fragile as they are eternal.