Monday 8 January 2024, 7.30pm
Adam Bohman and Jonathan Bohman have been recording together since their early teens and playing live since 1984.
Their repertoire includes a combination of sounds created in the moment and distinct compositions including songs. They use unconventional instruments, household objects, dislocated text from found, literary and commercial sources and collaged layers of recordings.
Regular concerts started in the mid-90s in London at places like The Club Room in Penton Street, The Red Rose and The Klinker. From 2000 to 2005 they had their own concert series upstairs at The Bonnington Café in Vauxhall, London.
They have performed at Tate Britain, Tate Modern, Roundhouse, Royal Albert Hall, South Bank and numerous smaller venues across Europe and America.
Their duo recordings include 'A Twist For All Pockets' (Rossbin, 2001), 'Purely Practical' (Peripheral Conserve, 2002), ‘Back On The Streets' (Peripheral Conserve, 2012), ‘Library Music’ (Des Astres D’Or, 2019) and ‘In Their 70s’ (Fort Evil Fruit, 2021). Their forthcoming album is ‘Room Service ‘ (Rural Isolation Project).
Catherine Bunnyhausen makes polyrhythmic electronic dance music at her home in East Sussex and has releases on the Peripheral Conserve, Woodford Halse and Planet Mu record labels. She DJs Central and Eastern European new wave, disco and electronics as one half of Slav to the Rhythm at nightclubs and on Repeater Radio. She has never knowingly been a "sound artist"
www.xylitol.bandcamp.com
www.slavtotherhythm.com
Michelle Hromin is a Croatian-American multidisciplinary artist specialising in contemporary clarinet performance, curating, and writing. She uses mediums such as spoken words, electronics, and improvisation in her artistic practice to explore her identity, heritage, and human relationships.
Michelle will be playing works by Zachary Good, Liza Lim, and a new work by Eluned Davies, among others.
https://www.michellehromin.com/
Interstitial vinyl entertainment.
