Wednesday 9 December 2015, 8pm
Without matter there is no sound, but sound is not the matter that carries it.
Another concert for the Sound Matter series brings together four unique performers in an evening of intimate sets. The program presents different perspectives, instrumentations, and materials used for music and sound creation. It highlights improvisation as means for composition and explores collaboration as a process of offering and sharing creative visions.
Sharon Gal is an interdisciplinary artist, performer, vocalist and composer, specialising in free improvisation, experimental music and collaborative, participatory large group compositions. She works with voice, electronics, extended techniques, field recordings, found audio, video and collage; exploring presence, listening, embodiment, and the relationship between people, sound and space. Sharon performs solo and in collaborations with: David Toop, John Butcher, John Edwards, Sue Lynch, Andie Brown, Yoni Silver, Steve Beresford, Phil Minton, Charles Hayward, Anat Ben David and Lina Lapelyte.
Since 2007 she has directed a series of site specific, large group compositions, inviting musicians and non-musicians to take part. She curated music concerts, including the series Sound Matter, at Café OTO, and concerts at Iklectik arts lab. Her music was released by many labels, including five solo albums and various collaborations.
Past performances include The V&A, ICA, The Whitechapel Gallery, Tate Modern & Tate Britain, MACBA, and Colour Out Of Space, Borealis, Supernormal, Supersonic, TUSK and Tectonics festivals.
Etudes by Sharon Gal, a collection of text & colour scores, presented as a deck of 78 cards, was supported by Sound and Music and published in 2021. Her project, Healing Choir, ran @ the Kilburn Tin Tabernacle between August-October 2024.
https://www.sharon-gal.com/
https://sharongal.bandcamp.com
David Toop has been developing a practice that crosses boundaries of sound, listening, music and materials since 1970. This encompasses improvised music performance, writing, electronic sound, field recording, exhibition curating, sound art installations and opera. It includes eight acclaimed books, including Rap Attack (1984), Ocean of Sound (1995), Sinister Resonance (2010), Into the Maelstrom (2016), Flutter Echo (2019) and Inflamed Invisible: Writing On Art and Sound 1976-2018 (2019). Briefly a member of David Cunningham’s pop project The Flying Lizards in 1979, he has released fourteen solo albums, from New and Rediscovered Musical Instruments on Brian Eno’s Obscure label (1975) and Sound Body on David Sylvian’s Samadhisound label (2006) to Entities Inertias Faint Beings (2016) and Apparition Paintings (2021). His 1978 Amazonas recordings of Yanomami shamanism and ritual were released on Sub Rosa as Lost Shadows (2016). In recent years his collaborations include Rie Nakajima, Akio Suzuki, Tania Caroline Chen, John Butcher, Ken Ikeda, Elaine Mitchener, Henry Grimes, Sharon Gal, Camille Norment, Sidsel Endresen, Alasdair Roberts, Lucie Stepankova, Fred Frith, Thurston Moore, Ryuichi Sakamoto. Curator of sound art exhibitions including Sonic Boom at the Hayward Gallery (2000), his opera – Star-shaped Biscuit – was performed in 2012.
Sylvia Hallett is a multi-instrumentalist and composer moving between violin, bowed bicycle wheel, saw, hurdy-gurdy, electronics and found objects. She currently plays solo, with the walk-in interactive installation, Colourscape. Recent collaborators have included Chris Dowding, Tansy Spinks, Ansuman Biswas, Michael Ormiston, Mike Adcock, Anthony Haddon, Mike Cooper, David Toop, Anna Homler, The Heliocentrics, Clive Bell, LaXula, Opera North, h2dance, Miranda Tufnell, Eva Karczag, Wonderful Beast, BBC Radio Drama, The Royal Shakespeare Company. She performs internationally as a solo improviser, having released six solo albums. She enjoys performing in unusual spaces, such as an Italian vineyard. She is currently working on the score for a new short film by Takako Nakasu, which draws on the theme of the Kuroko (a stage-hand clad in black).
http://sylviahallett.co.uk/index.htm
https://www.facebook.com/sylvia.hallett
Genre-defying percussionist Beibei Wang is an acclaimed international virtuoso percussionist with both a Chinese and British musical education background. Beibei has enjoyed a meteoric rise in the classical music world, receiving international praise for her performances. She was listed in the top 50 Chinese musicians in the “Sound of East” project by the Chinese Ministry of Culture, as well as endorsed by the Arts Council, England receiving an Exceptional Talent visa from the British Government. Following a successful world tour, Beibei now leads a traditional Chinese percussion programme at SOAS, University of London. In 2020, Beibei was named Associate of the Royal Academy of Music. Most recently Beibei was appointed as percussion professor of the Crossover Studies Faculty at London Performing Academy of Music. www.beibeimusic.com
