Saturday 23 June 2018, 7.30pm, OTO Project Space
SOLO:DUO:TRIO is a monthly night of improvised performances bringing together a wide variety of musicians and artists. Each show features a solo, a duo, and a trio performance where performers are invited to present something new or play with a person they haven’t played with before in an intimate and open environment.
SOLO: Sarah Hughes
DUO: Charles Hayward & Sharon Gal
TRIO: Claudia Molitor, John Butcher & John Edwards
£7 on the door (£5 members)
Sarah Hughes is an artist, composer and performer, producing work that explores the boundaries of interdisciplinary practice, often moving between sculpture, installation, composition and music. Her work has been exhibited and performed internationally, including at South London Gallery, Cass Sculpture Foundation, Supplement, London; and V22. As a performer Hughes has played at various venues including the Musée des Beaux Arts de Nantes; The Wulf, Los Angeles; Cafe Oto, London; Parasol Unit, London; Holywell Music Hall, Oxford, and with a number of musicians including Angharad Davies, Tim Parkinson, Jürg Frey, Michael Pisaro, Antoine Beuger, Patrick Farmer, Stephen Cornford, Ryoko Akama, David Stent, and Dominic Lash. Realisations of her compositions have been published by Another Timbre Records, Suppedaneum, Consumer Waste Records and Reductive Music.
Charles Hayward (born 1951) is an English drummer and was a founding member of the experimental rock group This Heat. He also played with Mal Dean's Amazing Band, Radar Favourites, Dolphin Logic, and gigged and recorded with old schoolfriend and "Pooh and the Ostrich Feather" member Phil Manzanera in the group Quiet Sun project as well as a short stint with Gong. On one occasion he also played drums for the anarchist punk band Crass.
“As impassioned and animated offstage as behind his massive drumkit, Charles Hayward radiates a genuine intensity. He first came to wide attention as drummer with the highly influential This Heat as the embers of Post-Punk simmered off into wilder experimental tangents. He has released a dozen solo and colaborative albums, and puts on rare solo live shows which pull the raw muscular percussion at the heart of Rock into new shapes with devastatingly powerful results.” – Freq
"Telepathic magic……. Hayward is one of the most life-affirming people who stalks this dark globe." - SOUND PROJECTOR
Sharon Gal is an interdisciplinary artist, performer and experimental vocalist and composer, with particular experience of free improvisation and collaborative group compositions.
Her work relates to sound, architecture, live performance and participatory art, exploring the psychology of sound and its relationship with space.
Sharon performs solo and on-going collaborations with David Toop, Steve Beresford, Phil Minton, Alex Ward, Yoni Silver, Lina Lapelyte, Anat Ben-David and Andie Brown.
She also directs a series of site specific, participatory compositions-performances, examining the inter-relations between people and place: L'esprit d’escalier – for voices in a staircase, Toy Orchestra – for children and adults, Room to Breathe - with balloons & music, Long Drone – for a large ensemble of various instruments, Gals with Guitars – for female guitar players, Sound Out – for a large group of voices in a public space and Feel the Noise for a large ensemble of electric guitars and micro amps.
Sharon is a co-founder of Resonance 104.4 FM arts radio.
Her music was released by various labels; The Tapeworm, American Tapes, Ash International, A Silent Place Records, Chocolate Monk, Emanem Records, Ecstatic Yod , Paradigm Records , My Dance the Skull, Wild Silence, Fractal Meat Cuts and Visible Near Midnight Recordings.
She performed in the UK & internationally including; The V&A, Science Museum, ICA, The Whitechapel Gallery, Arnolfini Gallery, Tate Modern & Tate Britain, MACBA and Colour Out of Space, Borealis and Supernormal festivals.
Claudia Molitor is a composer whose work articulates a dynamic pluralism which draws upon the tradition of classical music but also extends across contemporary art practices, such as video art, installation art, sound art and visual art. In her practice, the score often becomes a site of exploration in which the conventions of notation, the qualification of sonic phenomenon and the historical hierarchies of sound are interrogated.
Claudia’s work is regularly performed and broadcast throughout Europe and has been performed at festivals such as Wien Modern, Huddersfield Contemporary Music Festival, Ecat, the VI Festival de Musica Contemporania de Girona, the ÖBV Grabenfest, Sonic Explorations at Kingsplace and the Wire Magazine’s “Off the Page” festival. She has been commissioned, amongst others, by the London Sinfonietta, hcmf//, the BBC, Sound and Music and the Royal Philharmonic Society. Recordings have been included in releases on the Jerwood Series, NMC Recordings, ORF 1 recordings and Sub Rosa.
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of musicians – including Derek Bailey, Rhodri Davies, Andy Moor (EX), Phil Minton, Christian Marclay, Eddie Prevost, John Stevens’ SME, Gino Robair, Polwechsel, Mark Sanders, John Tilbury, and Okkyung Lee.
Alongside long term projects he values occasional encounters; from large groups such as the EX Orkestra & Butch Morris’ “London Skyscraper”, to duo concerts with Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Otomo Yoshihide, Sophie Agnel and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, two HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a 2014 British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment