Thursday 27 July 2017, 7.30pm

OTO PROJECT SPACE: SOLO:DUO:TRIO #2 – ALISON BLUNT / GRAHAM DUNNING / SUE LYNCH (TRIO) + ALEX WARD / MICHAEL SPEERS (DUO) + LUCIA H CHUNG (SOLO)

No longer available

SOLO:DUO:TRIO is a monthly night of improvised performances bringing together a wide variety of musicians and artists. Each show features a solo, a duo, and a trio performance where performers are invited to present something new or play with a person they haven’t played with before in an intimate and open environment.

SOLO: Lucia H Chung
DUO: Alex Ward & Michael Speers
TRIO: Alison Blunt, Graham Dunning & Sue Lynch

£7 on the door (£5 members)

Alison Blunt

Since a classical violin training, Alison Blunt has been creating and performing new work utilising or consisting of improvisation. She has performed throughout Europe, Scandinavia, US, Brazil, Australia and New Zealand with a wide array of artists including Avreeayl Ra Amen, Renee Baker, John Edwards, Vinny Golia, Elisabeth Harnik, Tristan Honsinger, Audrey Lauro, Hannah Marshall, Gianni Mimmo, Evan Parker, Gino Robair, Mark Sanders and Harri Sjöström; ensembles BARREL, Barcode Quartet, Berlin Improvisers Orchestra, Ensemble Progresivo, HANAM Quintet, Lode, Pierette Ensemble, Reciprocal Uncles & Aunt; and sometimes as a soloist.

Blunt was a member of the collective ASITIS and companies ‘Experiments in Spontaneous Performance’ and Apocryphal Theatre, and amongst broader performance and research activities, has collaborated with writer/playwright/director Julia Lee Barclay-Morton, installation artist Allan Giddy, Butoh dancer Florencia Guerberof, visual artist Birthe Jorgensen, visual artist/film maker Kate McMillan and voice/movement artist/actor Guy Dartnell. Last year she received Sound and Music funding support and toured England with Rose is a Rose is a Rose is a Rose, a collaborative work meshing music, text and live cooking on stage. She is also a highly experienced workshop leader exploring music-making with people of all ages and abilities. Alison refuses to be pigeon-holed.

www.alisonblunt.com

Graham Dunning

Graham Dunning is self-taught as an artist and musician having studied neither discipline academically. His work explores sound as texture, timbre and something tactile, drawing on bedroom production, tinkering and recycling found objects. He has performed solo and in ensembles across the UK, and Europe, and shown solo sound installations in the UK, New Zealand and USA. He teaches Experimental Sound Art at the Mary Ward Centre in London and also gives various independent workshops. Dunning has released through Entr’acte, Seagrave, Tombed Visions and more.

grahamdunning.com

Alex Ward

Alex Ward is a composer, improviser, and performing musician, working primarily with clarinet and guitar. His involvement in freely improvised music dates back to 1986, when he met the guitarist Derek Bailey. He subsequently took part regularly in Bailey's Company events, and has gone on to become a major figure in British improvised music. 

His current work ranges from the duo Dead Days Beyond Help, in which he plays guitar and sings, his group Predicate who perform his compositions, regular improvising groups with Steve Noble, Kay Grant and others, as well as more ad hoc encounters with musicians as diverse as Thurston Moore, Joe Morris and Duck Baker. He brings a unique energy and inventiveness to all these projects, elevating them far above the ordinary and injecting them with a thrilling sense of danger and possibility. 

"...guitarist Alex Ward [is] a compulsively creative polymath of indiscriminately omnivorous appetite ... a reliably unpredictable axe-hero for collaborators of all backgrounds." Stewart Lee, The Sunday Times Review

Michael Speers

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/third person narrative/

Michael Speers is a musician from Northern Ireland, currently based in London. Feedback is the basis of most of his practice, using the limitations of himself and electronic / acoustic equipment - namely percussion, no-input mixer, sampled media, test equipment and field recordings - to depict his engagement with reality through sound phenomena. The resultant soundscape is generally dense and abrasive, focussing on texture and spatial / material resonance, which is formed live in improvised performances and in electronic compositional work.“

/machine learning/

#noise #sound #music #fieldrecording #electroacoustic #percussion #testequipment #experimental #bait #sterile #opaque #meaningless #soundcloud

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http://michaelspeers.net/

Sue Lynch

Sue Lynch is a London-based improviser and composer who plays tenor saxophone, flute, and clarinet. She studied Fine Art at Coventry College of Art. In the 1980’s she toured with The Happy End Big Band. She currently performs with Hogcallin’ (with John Edwards, Steve Noble and Adrian Northover), The Remote Viewers, The Horse Trio, The Custodians of The Realm and Helen McDonald’s Future Groove. In 2015 she performed with Maria Vatentina’s opera ‘Mannequin’. She has performed with The Cambodian Space Project (2015) and has recently performed at The Tate Modern as part of of Tarek Atoui’s ‘Reverse Collection’. She also performs with Adam Bohman, Eddie Prevost, Hutch Demouilpied, Richard Sanderson, Steve Noble and Sharon Gal. Sue Lynch currently runs The Horse Music Club in South London with Adam Bohman and Hutch Demouilpied.

https://suelynch.wordpress.com/

Lucia H Chung

Lucia H Chung is a Taiwanese electronic sound artist based in London. She performs and releases music under the alias en creux, whose sound creation springs from her view on the medium of sound as preposition. Sound as preposition, expresses a relation between two elements. Without preposition, a clause will not form and a relation will not take place. Yet, at the same time, the role of preposition is also effected and determined by the two elements that it connects.

“...reminiscent of Alva Noto’s _Module _release with its bitingly clean percussion and silken low­end drones, creeping in and out of focus like some unknown creature gliding across the dark ocean floor.” – Stray Landings