13–14 September 2019

Photo by Chris Verene

Slip and 33-33 present: Object Collection: ‘You Are Under Our Space Control' (UK premiere) + Tim Parkinson: ‘Pleasure Island’ (UK Premiere) + Jessica Hickie-Kallenbach + Odie Ji Ghast

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Two years on from a pair of sold-out performances, US group Object Collection return to OTO, premiering excerpts from new opera ‘You Are Under Our Space Control’, alongside special guests.

You Are Under Our Space Control’ is firebrand US group Object Collection's inimitable Slip return: a utopian space-opera, a homing signal cast into an empty universe, a beacon for an aesthetically radical future.

Drawing on space travel, transhumanism, astronautics and the resurrection of the dead, Kara Feely's texts rehearse a progressive politics through a total re-envisioning of everyday life. Travis Just's limber speech-song vocal parts are eerily and spasmodically FX'd, and navigate surprisingly glistening instrumentals - a headlong tangle and squelch of flexing 808s and metal objects, roboticised guitar, and unreal synthesis.

YAUOSC's bubbling force belies its diverse, unruly underpinnings. The opera’s musical backbone is a drum-machine transcription of John Cage's 1951 piano solo ‘Music Of Change’, a landmark of indeterminacy; its title grabbed from Cy Roth's sci-fi romp ‘Fire Maidens From Outer Space’ (1951); its texts inspired by Sun Ra and the Russian Cosmists’ poetics and philosophies, and interviews from real (and imagined) space travellers and astronomers.

Object Collection charge these impulses with a burning, engrossing physicality. This is, above all, a piece of heaving, life-giving music, deep in the mess of futuristic fervour.

The group will perform for around 70 mins.

On 13th, kindred spirit Tim Parkinson presents a premiere of his own, an ensemble performance of recent Slip LP 'Pleasure Island'. On 14th, vocalists from 2 exquisite British groups - Jessica Hickie-Kallenbach (of Still House Plants) and Odie Ji Ghast (of Historically Fucked) - perform solo.

“One of the most confronting and exhilarating things I've seen” – BBC

“Innovative” – New York Times

“ferocious in scope” – The Guardian

“A disorienting, multi-sensory attack” – Frieze Magazine