Sunday 19 February 2023, 2pm
Shifa, from the Arabic word for healing, is a new trio born out of old musical partnerships from the ever-shifting sands of the UK improvised music scene. Pat Thomas, pianist extraordinaire whose eclectic motherboard pushes the music in unexpected twists and turns, suggested the name. The healing, in this case, is a raw, unfettered musical space where he, saxophonist Rachel Musson and drummer Mark Sanders meet and make music in the moment, of the moment. Each player values the others’ ability to dive in deep, and demands that they each remain fully present to where the music needs to evolve next. The palette includes a mutual history in jazz, elements of classical, folk and pulling notes apart to allow sonic textures to come into focus.
The trio has released two albums on Brooklyn-based 577 Records, both to critical acclaim. The second album, Live in Oslo, was described by All About Jazz (Mike Jurkovic) as, 'true mind-meld of London's free-jazz highest order.' Their first performance at Cafe Oto was captured on vinyl, and Downbeat's (Josef Woodard) four star review described the performance as, 'At its core, this music manages to be both unhinged and with a collective purpose.' Shifa have performed at 'Sensing the Planet Festival' at Dartington in October 2021 and 'Newcastle Jazz and Improvised Music Festival' in September 2022 since.
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
RACHEL MUSSON is a saxophonist, improviser and composer based in the UK. She has spent the last decade immersed in improvised music, and has also gradually been introducing composed elements into her work, drawing on text, field recordings and processing sounds. She is involved with a variety of improvisation projects, and works regularly with Mark Sanders, Pat Thomas, Hannah Marshall, Julie Kjaer, Corey Mwamba, Olie Brice, Alex Ward and Alex Hawkins, amongst others. She features on several releases, including a nonet featuring her composition 'I Went This Way' (577 Records), two with Shifa, feat. Pat Thomas and Mark Sanders, (577 Records), one with Mark Sanders and John Edwards (Two Rivers Records), trio with Liam Noble and Mark Sanders (Babel), and Corey Mwamba (Takuroku).
Mark has worked with many greats of the British, European and American free jazz improvised music scene including Roscoe Mitchell, Roswell Rudd, Evan Parker, John Butcher, Henry Grimes, Elaine Mitchener, Wadada Leo Smith, Myra Melford, Charles Gayle , Sirone and William Parker
He has also played with Jah Wobble, Harold Budd, Bill Laswell, Christian Marclay, International Contemporary Ensemble, Ilan Volkov and The BBC Scottish Symphony Orchestra.
He is a member of many working groups including duos with Nicole Mitchell and Rhodri Davies, Neil Charles' 'Dark Days' with Cleveland Watkiss & Pat Thomas, 'Last Dream of the Morning' with John Butcher & John Edwards, 'Shifa' with Rachel Musson and Pat Thomas and 'Sarost' with Larry Stabbins & Paul Rogers.
As an educator he has taught improvisation at many universities around the country as a lecturer and guest tutor.
Mark has played concerts and festivals around the world and appears on over 220 CD and Vinyl releases.
Mark was a recipient of the Paul Hamlyn Award for Artists 2024
"Drop the needle on the first track — or any track for that matter — and the first thing one is bound to notice is the amazing percussion skills of Mark Sanders" – Peter Thelen... Exposé
"Mark is just incredible and immensely diverse, he is at the center of "Kwingyaw" and it is difficult to tell what he is doing to get some of these sounds." – Bruce L Gallenter, Downtown Music Gallery, NY
