Tuesday 16 July 2019, 7.30pm

Photo by Dawid Laskowski

Riverloam Trio (Mikołaj Trzaska / Olie Brice / Mark Sanders)

No Longer Available

Excited to welcome back Riverloam Trio, the grouping of Mikołaj Trzaska, Olie Brice, and Mark Sanders to OTO for their first show here together in five years.

“It’s the fire music of our time—maybe now more like glowing embers, but still remembering something of the flames that gave rise to them.” – Free Jazz Blog on Riverloam Trio

Mikołaj Trzaska

Mikolaj Trzaska is one of Poland's leading free jazz musicians. He has toured and recorded with his Clarinet Trio (with Ken Vandermark and Waclaw Zimpel), Peter Brotzmann, Joe McPhee and Lester Bowie, among many others. He is also a member of ken vandermark's Resonance Ensemble.

“Mikolaj's sound on alto is mesmerizing, even at his most lyrical there's the inner tension in the timbre, you could hide entire planets in there, even at his most expansive and screaming, there's something intimate and emotional to what he plays.” – (Free) Jazz Alchemist

Mark Sanders

Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.

In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts - both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.

Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, and the ensembles of Sarah Gail Brand, including a long-standing duo. He has a lengthy discography including a solo album, has performed internationally and played at major festivals including, Nickelsdorf, Ulrichsburg, Womad and notably at Glastonbury with legendary saxophonist John Tchicai.

"ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo." Bruce L Gallenter, Downtown Music Gallery. NY

Olie Brice

Olie Brice is a double bassist, improviser and composer. Raised in London and Jerusalem, he now lives by the sea in Hastings.

Olie Brice leads and composes for two groups, a trio (with Tom Challenger & Will Glaser) and an Octet (with Alex Bonney, Kim Macari, Jason Yarde, Rachel Musson, George Crowley, Cath Roberts & Johnny Hunter). Both of these groups were featured on the critically acclaimed double album ‘Fire Hills’. Previously Brice lead a quintet – “one of the most interesting and satisfying bands on the current UK scene” – which released two albums, ‘Immune to Clockwork’ and ‘Day After Day’. He has also composed a piece for improvising string quartet, ‘From the Mouths of Lions’, which will be released in 2024.

Brice is a committed free improviser, who has performed, toured and recorded with many of the leading names in the music. Frequent collaborators include Mark Sanders, Paul Dunmall, Rachel Musson, Tobias Delius, Cath Roberts and Luis Vicente, and he has also appeared with the likes of Evan Parker, Tony Malaby, John Butcher, Ingrid Laubrock, Ken Vandermark, Eddie Prevost and Louis Moholo. He is part of several ongoing improvising ensembles including Somersaults (with Tobias Delius & Mark Sanders) and The Acrylic Rib (with Albert Cirera & Nicolas Field).

Brice is also in demand as a bass player in creative ensembles led by many artists, including Dee Byrne’s Outlines and Out Front (Nick Malcolm’s quintet playing the music of Andrew Hill and Booker Little). He regularly performs at venues and festivals across Europe. Brice has been the recipient of Arts Council England funding multiple times and in 2021 received a composition commission from Jazz South.

“Brice makes the entire body of his bass sing. He has the ability to deliver a fractal line that is as purposeful as any by the great jazz bassists, but to do so within an entirely abstract setting” - Brian Morton, Point of Departure