Thursday 8 November 2018, 7.30pm
Paul Dunmall and Hamid Drake are great friends and when Paul invited Hamid to join him on a short UK tour in 2016, he accepted immediately. Paul then put together a quintet adding Percy Pursglove on trumpet, Steve Tromans on piano and Dave Kane on double bass. The quintet created joyful music full of energy and swing – this tour brings the same quintet together to stunning effect.
“Ever since I heard UK sax colossus Paul Dunmall with Keith Tippett’s Mujician quartet, I knew that there was something special, spiritual about his (tenor) sax playing. Nobody has a sound like him, he is in a class of his own!” – Bruce Lee Gallanter, Free Jazz Collective
For 30 years Paul has carved out a reputation for himself and is now widely recognized as one of the most uncompromising and talented reed players on the International jazz/improvised music scene. Whether playing in Small or large groups, his musical sensitivity and imagination, combined with a powerful sound, make him one of the most distinctive improvisers playing today. He has performed with Alice Coltrane, Johnny Guitar Watson, Danny Thompson, LJCO, Mujician, Henry Grimes/Andrew Cyrille and a duo with Chris Corsano.
Hamid Drake is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso’s Mandingo Griot Society and has played reggae throughout his career.
Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups).
"[Drake's] mastery of pulse drumming, textural sculpting, hand drum techniques, reggae, funk and garage punk makes him one of the most articulate and linguistically advanced musicians on the circuit… Cecil Taylor once claimed that each man is his own academy. If that's the case, Drake is surely one of the mystery schools." - David Keenan, The WIRE