Sunday 3 June 2018, 7.30pm
Since John Coltrane and Rashied Ali created 'Interstellar Space' with only sax and percussion, this instrumentation has inspired many other pared down projects, Paal Nilssen-Love & Mats Gustafsson, John Butcher & Eddie Prévost to name but two. The addition of a piano adds an extra layer of percussive drive but links the drums and saxophone in terms of rhythm and harmony. Classic piano/sax/drum trios include Taylor / Lyons / Cyrille, Schlippenbach / Evan Parker / Paul Lovens, Van Hove / Brötzmann / Bennink to name but three. When ‘electronics’ are added as an addition – or instead – of the piano, the sound-world takes on an extra layer of influence and inspiration ranging from Stockhausen’s 'Kontakt' through to industrial/noise and beyond. Tonight’s concert features two trios utilising sax/drums plus piano and/or electronics. There will be two sets.
Rick Jensen / tenor saxophone and clarinet
Phil Durrant / modular synth/amplified objects
Steve Noble / drums
Rachel Musson / tenor saxophone
Pat Thomas / piano and electronics
Mark Sanders / drums
Rick Jensen is the founder and leader of improvising groups Apocalypse Jazz Unit, The Compulsive Ensemble and FAT COP, he performs electroacoustic music and makes films as The Oneirologist. Rick has been in many other groups in various styles of music since 1996 first in New Zealand and for the last 11 years in London. He's also the founder of the SKRONK free improvisation nights and label. Mostly he plays saxophone, but has been known to mangle a guitar now and then.
Born near London in 1957, Phil Durrant is an improviser/composer/sound artist who has devised his own virtual performance instruments using Reaktor. Recently, he has been performing solo, duo (with Phil Maguire) and trio concerts (with Mark Wastell and Richard Sanderson), using an analogue/digital modular synthesizer system.
As a violinist (and member of the Butcher/Russell/Durrant trio), he was one of the key exponents of the “group voice approach” style of improvised music. In the late 90s, his trio with Radu Malfatti and Thomas Lehn represented a shift to a more “reductionist” approach.
Durrant’s exploration in the use of live electronics to expand the timbre of the violin, evolved into the creation and building of self-made virtual instruments. His live sampling/treatments duo with John Butcher and his work MIMEO, saw Durrant move from the use of hardware to the use of software in live situations. He has always been keen to transfer the flexibility of playing an acoustic instrument, into his laptop performances.
Durrant also performs regularly with the acoustic/electronic group Trio Sowari (with Bertrand Denzler and Burkhard Beins) and Mark Wastell’s The SEEN.
Steve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Derek Bailey, Matthew Shipp, Ishmael Wadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more.
In the early eighties, Noble played with the Nigerian master drummer Elkan Ogunde, Rip Rig and Panic, Brion Gysin and the Bow Gamelan Ensemble, before going on to work with the pianist Alex Maguire and with Derek Bailey (including Company Weeks 1987, 89 and 90). He was featured in the Bailey's excellent TV series on Improvisation for Channel 4 based on his book ‘Improvisation; its nature and practise’. He has toured and performed throughout Europe, Africa and America and currently leads the groups N.E.W (with John Edwards and Alex Ward) and DECOY (with John Edwards and Alexander Hawkins).
Rachel Musson is a saxophonist, improviser and composer living in London, UK. She is involved with a variety of improvisation projects, including a trio with Hannah Marshall and Julie Kjaer, a duo with vibraphonist Corey Mwamba, and a trio with Mark Sanders and John Edwards. She has released two albums under her own name, one featuring Liam Noble and Mark Sanders (Tatterdemalion, Babel Records), and one featuring her ensemble Skein (Flight Line, F-ire Recorded Music). She also plays with the London Improvisers Orchestra and Alex Ward’s Quintet and Sextet, as well as with a variety of other musicians on the fluid European improvising scene.
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.
In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts - both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, and the ensembles of Sarah Gail Brand, including a long-standing duo. He has a lengthy discography including a solo album, has performed internationally and played at major festivals including, Nickelsdorf, Ulrichsburg, Womad and notably at Glastonbury with legendary saxophonist John Tchicai.
"ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo." Bruce L Gallenter, Downtown Music Gallery. NY