Sunday 16 January 2022, 2pm

Photos by Tom Ward and Sean Kelly

MATINEE: Olie Brice / Cath Roberts (duo) + Veryan Weston / Hannah Marshall (duo)

No Longer Available

Pleased to host a matinee performance with the improvising duo of Olie Brice (double bass) and Cath Roberts (baritone saxophone) ahead of the release of their album, "Conduits", coming out on Relative Pitch in February, plus the duo of + Veryan Weston and Hannah Marshall.

Please note that this show is a matinee – doors will open at 2pm and the performance will begin shortly after.

Cath Roberts

Cath Roberts’ work explores free improvisation, composition and the music at their meeting point. Her primary outlet as a composer and improviser on baritone saxophone is the band Sloth Racket, which has toured widely and released several albums. As bandmate, Cath is a member of several groups including Madwort Sax Quartet, Article XI and MoonMot. She has a long-standing duo with guitarist Anton Hunter (Ripsaw Catfish), as well as regular collaborations with Tullis Rennie, Benedict Taylor, Otto Willberg, Seth Bennett and others. Cath co-runs LUME with Dee Byrne, producing concerts, tours and festivals since 2013 and releasing music on their offshoot label Luminous. With Tom Ward and Colin Webster she organises BRÅK, an improvised music series taking place in Brockley, South East London.

https://cathrobots.co.uk/

Photo by Dawid Laskowski

Olie Brice

Olie Brice is an improvising double bassist from London. He leads two bands - a quintet that plays his original compositions and a freely improvising trio featuring Tobias Delius and Mark Sanders. He has also worked with musicians including Paul Dunmall, Tony Malaby, Steve Swell, Achim Kaufmann, Alex Ward and Ingrid Laubrock.

“Brice makes the entire body of his bass sing. He has the ability to deliver a fractal line that is as purposeful as any by the great jazz bassists, but to do so within an entirely abstract setting” - Brian Morton, Point of Departure

Hannah Marshall

Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra. 

Veryan Weston

Veryan Weston (born 1950) was awarded ‘Young Jazz Musician of 1979’ by GLAA. In the '80s, Veryan worked internationally with Lol Coxhill (with whom he made his first recordings – Ogun 525 and Random Radar), the Eddie Prévost Quartet. At this time, he also first met Trevor working in his band Moiré Music which used a unique combination of African rhythmic structures with the European musical tradition (Arc 02).

In the '90s, collaborations with Phil Minton whom he met through Trevor's Moiré Music included the Ways duos, Songs from a Prison Diary awarded the Cornelius Cardew composition prize, a quartet performing extracts from Joyce’s Finnegans wake (with Phil, John Butcher and Roger Turner), and 4Walls with Luc Ex and Michael Vatcher. And most recently - Ways for an Orchestra commissioned by the Angelica Festival (Bologna, Italy - 2017)

Collaborations with Jon Rose on the ‘Temperament Project’ use improvisation with different acoustic keyboards and violins with selected tunings derived from science, history and the imagination. Most recent project has included Hannah Marshall with the Tuning Out Tour (EMANEM double 4141). A trio project with John Edwards and Mark Sanders (EMANEM 4028, 4214, and 4205), the Trio of Uncertainty with cellist Hannah Marshall and violinist Satoko Fukuda (EMANEM 4141), Luc Ex in Sol6 (Red Note 15) which included saxophonist Ingrid Laubrock and Hannah Marshall in a trio called Haste. (EMANEM 5025).

‘Tessellations’ is an ongoing composition project based around research on pentatonic scales and has produced: 1. Tessellations for piano (EMANEM 4095), 2 a commissioned piece for Austrian singers - the Vociferous Choir (EMANEM 5015), 3 a string quartet, and 4 'The Make Project' – a Toronto-based project commissioned by Canadian Arts (Released – January 2018). An extension of these ideas has been with Hannah Marshall and Mark Sanders. Supported by ACE to produce a CD project now released on Hi4Head called 'Crossings'.

http://veryanweston.weebly.com/

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