Sunday 10 April 2022, 2pm
Thrilled to host the incomparable pairing of Elaine Mitchener and Pat Thomas for a very special matinee performance. Despite performing together in numerous groupings - not least on last year's phenomenal 'Some Good News' release alongside Orphy Robinson, Hamid Drake and William Parker via our own in-house OTOroku label - this will be their first duo show. Not to be missed!
Elaine Mitchener is a veteran of vocal expression in the global Black Avant Garde, traversing free improvisation, cross-disciplinary music theatre and contemporary composition with clarity and joy.
Her debut album SOLO THROAT released in May 2024 under Café Oto’s OTOROKU label has been described as “An uncompromisingly imaginative approach to text that does credit to the power of the human voice, as well as the mind that pushes it on to previously unheard paths.” (Jazzwise)
Experimental musicians and improvisers she has worked with include Moor Mother, Joelle Leandre, Hamid Drake, William Parker, Pat Thomas, Black Top, David Toop, Xhosa Cole. Elaine is founder of the collective electroacoustic unit The Rolling Calf. Composers, visual artists and poets she has worked with include: George E Lewis, Jennifer Walshe, Matana Roberts; visual artists The Otolith Group, Christian Marclay, Sonia Boyce; Jay Bernard, Roy Claire Potter, Dante Micheaux; chamber ensembles Apartment House, ICE, Ensemble MAM, Klangforum Wien, Van Huynh Co.
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann