Tuesday 14 June 2022, 8pm
Delighted to present a very special residency with cellist and composer, Lucy Railton, performing with collaborators old and new across two nights.
"Lucy Railton is one of the days most spellbinding cellists, and her prolific string of releases throughout the past few years is ample evidence to convince any newcomer. Her work is mesmerizingly sculptural: there is a tactile violence to every stroke and pluck but her every motion is in service of a vision for the overarching shape and mood of the resulting piece.” - Wire
Day one sees a new grouping consisting of Lucy alongside Sharon Gal, Caroline Kraabel, and Sophie Fetokaki, followed by a performance of Morton Feldman's monumental 1981 work, Patterns in a Chromatic Field, with Joseph Houston on piano.
"Written in 1981, Patterns in a Chromatic Field is one of US composer Morton Feldman’s lengthy ‘late’ works in which, as he famously explained, ideas of form give way to a sense of scale. Running to more than 90 minutes, it’s a succession of seemingly disconnected patterns, with cello and piano mulling over a few chosen pitches, chords and articulations, maybe moving in and out of sync with each other, before simply moving on to something else. The cumulative effect is almost like experiencing the compositional process unfold before your very ears; and despite the apparent objectivity and detachment of the music, there’s intense subjectivity, too, in Feldman’s minute alterations to his patterns, and his often witty, telling choices as to how they succeed each other." – The Strad
- Group Piece: Sharon Gal, Caroline Kraabel, Sophie Fetokaki, Lucy Railton.
- Patterns in a Chromatic Field (1981) - Morton Feldman
Lucy Railton - cello, Joseph Houston - Piano.
Berlin/London based musician Lucy Railton has been an active performer, programmer and music maker since 2008, releasing albums on Modern Love, Editions Mego - GRM Portraits, PAN, ECM, SN Variations, Shelter Press and Takuroku. Having emerged from a long-term engagement with classical and contemporary music, she now makes her own work alone or in collaboration with artists and musicians from varied disciplines, including Rebecca Salvadori, Peter Zinovieff, Catherine Lamb, Khyam Allami, Kit Downes, Kali Malone and Stephen O’Malley, and in recent years has worked with Beatrice Dillon, Philippe Parreno, Rhodri Davies, Laura Grace Ford, Alex Hills, choreographers Akram Khan and Sasha Milavic Davies, Yair Elazar Glotman and the film director John Lee. As an organiser she has been involved in presentations of work by Maryanne Amacher and Henning Christiansen amongst many other productions during her time as co-director at London Contemporary Music Festival and Kammer Klang, and has performed in focus concerts lead by Pauline Oliveros, Iancu Dumitrescu, Mary Jane Leach, Cally Spooner, Matmos and many more. Lucy has performed at festivals and venues including Dark Mofo (Tasmania), Blank Forms (New York), Cafe Oto, Borealis Festival, Atonal, Koln Philharmonie, Barbican, Berlin Jazz, Donaueschingen, Sydney Opera House, Rewire, AKOUSMA (GRM), Norbergfestival, Centro de Creación Contemporánea de Andalucía and CTM.
Sharon Gal is an interdisciplinary artist, performer, vocalist and composer, specialising in free improvisation and participatory, collaborative compositions.
She works with voice, electronics, various instruments, field recordings, found audio & video; exploring presence, listening, embodiment, and the relationship between people, sound and space.
Sharon performs solo and in many collaborations including: David Toop, Steve Beresford, Phil Minton, Charles Hayward, Andie Brown, Yoni Silver, Sue Lynch, Blanca Regina, Anat Ben David and Lina Lapelyte.
Since 2007 she has been directing a series of large group, site specific compositions, inviting musicians and non-musicians to take part.
Past performances include The V&A, Science Museum, ICA, The Whitechapel Gallery, Tate Modern & Tate Britain, MACBA, and Colour Out Of Space, Borealis, Supernormal, Supersonic and TUSK festivals.
Sharon's music was released by many labels, including five solo albums and various collaborations.
Her new experimental work, Etudes, a collection of text & colour scores and propositions, presented as a deck of 78 cards, was published in 2021.
Caroline Kraabel is a London-based improviser, saxophonist, artist and composer. She conducts and plays with the London Improvisers Orchestra (LIO). Sometimes she improvises solo while walking in London and elsewhere (broadcast over several years on Resonance 104.4 FM as Taking a Life for a Walk and Going Outside). She works with many other excellent improvisers, including Robert Wyatt, Maggie Nicols, John Edwards, Louis Moholo, Cleveland Watkiss, Hyelim Kim, Pat Thomas, Susan Alcorn, Sarah Washington, and Charlotte Hug. During 2020-21 Kraabel has performed live (off- and on-line) and while walking through London; made and shared many recordings of duo and solo live improvisation; made a piece of performance art for APT Gallery; made a number of socially distanced large-group pieces for the LIO; was artist-in-residence at UNCOOL in Poschiavo, Switzerland; and worked on her 40-minute music/film piece about lockdown London (London 26 and 28 March 2020: imitation: inversion), which received its avant-première at London’s Café Oto on 25 February 2021, is available on the Jazzed app, and won the 2021 Ivor Award for Sound Art Composer. She releases ephemeral solo pieces as part of Lonely Impulse Collective.
Joseph Houston is a British pianist active in the fields of contemporary and experimental music. Based in Berlin, he performs a wide range of repertoire, recent performances including Feldman, Jennifer Walshe, Scarlatti, Rebecca Saunders, Ives, Klaus Lang, Bartók, Catherine Lamb, and Chiyoko Szlavnics. He plays regularly in festivals and venues across Europe both as a soloist and with other artists.
Joseph aims to create unique and immersive programmes that combine works from various musical worlds, generating a whole that is bigger than the sum of its parts, while involving himself as much as possible in the compositional process of new commissions. He believes music is fundamentally collaborative and is particularly interested in works that challenge the traditional composer-performer-listener triangle; use performance practice as a compositional parameter; and intensely explore the sonic possibilities of the instrument. He works on a project-by-project basis, building programmes that explore these ideas.
Recent highlights include solo performances at Donaueschinger Musiktage 2019, broadcast on SWR; duos with Sarah Saviet (violin) at Radialsystem as part of Sasha Waltz's ZUHÖREN #4; a CD of chamber music by Thomas Simaku with Quatuor Diotima on BIS; and a recording of Mark Barden's Études 1-3 on WERGO.