8–9 November 2022
Two nights with the excellent double-header of avant-garde composer and lutenist, Jozef van Wissem and iconic vocalist and musician, Jarboe.
“For fourteen years the sole constant member of Swans, and also the creative force behind half a dozen solo releases, Jarboe is one of the most remarkable women in extreme music” – Terrorizer
"To get into van Wissem's world is to surrender to the inevitability - and timelessness - of a strange music created at its own pace, and in a manner wholly of its creator's making." – The Quietus
Jarboe draws from a variety of sources: childhood in the Mississippi delta and New Orleans, life in NYC’s east village during the post no-wave scene as member of the band Swans, university studies in literature and theatre, global travels, and a history of extensive recordings, collaborations (Philip Anselmo, Attila Csihar, Blixa Bargeld, J.G. Thirlwell, Merzbow, PanSonic, Chris Connelly, Neurosis and many others), and performances (clubs, theaters, art galleries, cathedrals, festivals, live radio, television, film).
Jarboe’s voice and music is known for bold experimental as well as melodic diversity and expression. Over the course of her life through efforts in past and present disciplines, Jarboe explores the rebuilding / reinventing of identity and the elemental structures of personae.
“..A diabolical crossroads meeting between Bessie Smith and Diamanda Galas… Jarboe can be a gospel blues belter or screeching sorceress with equal devious ease. Her flexible and hugely expressive voice leaps from the whimpers of a terrified child to avenging Shiva screams without pause or warning.” – Willamette Week
“Jarboe somehow turns the simplest moment into mind-crushing intensity” – Kerrang.
Jozef van Wissem is an avant-garde composer and lutenist playing his all black, one-of-a-kind custom-made baroque lute all around the world. The titles and the nature of his works often have a Christian-mystical appeal and the music he creates is simply timeless. In 2013 van Wissem won the Cannes Soundtrack Award at the Cannes Film Festival for Jim Jarmusch’s “Only Lovers Left Alive “. In December 2017 Jozef van Wissem was invited to perform the madrigal depicted in Caravaggio’s painting The Lute Player (1596) at the Hermitage museum of Saint Petersburg.
An autodidactic author, a Renaissance talent in the cruelty of the 21st century, who switched the intense lifestyle of a new wave artist and bar owner from Groningen to a modern-age thinker who studied lute in New York, and later became one of the most influential contemporary songwriters, known for his solo and cinematic works.
Van Wissem has earned much critical acclaim for his work, the ‘ liberation of the lute’ as he calls it. According to the New York times “Van Wissem is ‘both an avant-garde composer and a baroque lutenist, and thus no stranger to dichotomy”. According to The Quietus “Van Wissem is possibly the best know lute player in the western world. To get into van Jozef Van Wissem’s world is to surrender to the inevitability – and timelessness – of a strange music created at its own pace, in a manner wholly of its cre-ator’s making. He sets the listener into a private world, looking out through a glass darkly, such is the intense quality of the music. Brevity, simplicity, directness is the key. (The Quietus)