Tuesday 2 August 2022, 8pm
The debut performance of Considerations, a new project convened by Dominic Lash exploring the music of trumpeter Bill Dixon. The combination of Lash’s electric guitar, the peerless rhythm section of John Edwards and Mark Sanders, and Alex Ward’s extraordinary amplified clarinet casts new light on Dixon’s inimitable musical imagination.
Dominic Lash concentrates on the double bass and electric guitar. He works regularly with musicians including John Butcher, Angharad Davies, Emil Karlsen, Mark Sanders, Pat Thomas, and Alex Ward. He has lived and worked in Oxford, New York and Bristol, and is currently based in Cambridge where he and N.O. Moore curate the monthly improvised music series Soundhunt. He also runs the label Spoonhunt.
http://dominiclash.blogspot.co.uk/
John Edwards grew up in London and started experimenting with the bass guitar before he switched in his twenties to play double bass. He is deeply rooted in the creative free jazz and improvisation genre. Since the 80ties he is as soloist and in many groups and ensembles in Europe active and became one of the most renowned bass players. He played/plays regular for example with Peter Brötzmann, Joe Mc Phee, Phil Minton, Maggie Nichols, Evan Parker, Roscoe Michtell, Louis Moholo-Moholo, Mark Sanders, Caroline Kraabel, John Butcher, Pat Thomas, Irène Schweizer, Hans Koch, Florian Stoffner, Gabriele Mitelli, John Dikeman.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
Mark has worked with many greats of the British, European and American free jazz improvised music scene including Roscoe Mitchell, Roswell Rudd, Evan Parker, John Butcher, Henry Grimes, Elaine Mitchener, Wadada Leo Smith, Myra Melford, Charles Gayle , Sirone and William Parker
He has also played with Jah Wobble, Harold Budd, Bill Laswell, Christian Marclay, International Contemporary Ensemble, Ilan Volkov and The BBC Scottish Symphony Orchestra.
He is a member of many working groups including duos with Nicole Mitchell and Rhodri Davies, Neil Charles' 'Dark Days' with Cleveland Watkiss & Pat Thomas, 'Last Dream of the Morning' with John Butcher & John Edwards, 'Shifa' with Rachel Musson and Pat Thomas and 'Sarost' with Larry Stabbins & Paul Rogers.
As an educator he has taught improvisation at many universities around the country as a lecturer and guest tutor.
Mark has played concerts and festivals around the world and appears on over 220 CD and Vinyl releases.
Mark was a recipient of the Paul Hamlyn Award for Artists 2024
"Drop the needle on the first track — or any track for that matter — and the first thing one is bound to notice is the amazing percussion skills of Mark Sanders" – Peter Thelen... Exposé
"Mark is just incredible and immensely diverse, he is at the center of "Kwingyaw" and it is difficult to tell what he is doing to get some of these sounds." – Bruce L Gallenter, Downtown Music Gallery, NY
Alex Ward's diverse musical activities since the early '90s have straddled the worlds of free improvisation, contemporary composition and avant rock, and have seen him work with such significant musical figures as Derek Bailey, Duck Baker, Lol Coxhill, Eugene Chadbourne, Simon H. Fell, Thurston Moore, Joe Morris, Steve Noble, Evan Parker, Jamaaladeen Tacuma, Pat Thomas and Weasel Walter, amongst a host of others. His work as a composer/bandleader has encompassed his own ensembles such as Predicate, Forebrace, the Alex Ward Quintet and Items 4, 6, 7 & 10, alongside collaborative projects such as his duos with Dominic Lash, Jem Doulton (as Dead Days Beyond Help) and Sean Noonan (as Noonward); while his solo releases have ranged from unaccompanied performances on clarinet and guitar to the layered studio creations found on 2021's Gated. He currently plays guitar and sings in math/noise trio Heckle Chamber (with Roberto Sassi and Jem Doulton), and is working on the completion of the final album by legendary band Pere Ubu (which he joined in 2021) alongside the other surviving members.
"...guitarist Alex Ward [is] a compulsively creative polymath... a reliably unpredictable axe-hero for collaborators of all backgrounds." – Stewart Lee, The Sunday Times Review