Sunday 4 March 2018, 7.30pm

CHINABOT w/ SAMIN SON (SOUTH KOREA) + PISITAKUN (THAILAND) + LAFIDKI (CAMBODIA) + AYANKOKO (LAO) + SAMBOLEAP TOL (CAMBODIA) – DJ SET

No Longer Available

Fantastic line-up from Chinabot – a platform and collective created to change the dialogue surrounding Asian music.

"In 2017, a digital diaspora community, a multi-disciplinary label and network of Asian artists decided to cooperate on a new way to collect and promote exciting Asian music. We want to show a slice of what we like, the cultures we come from and our own ideas. We’re an online community and a virtual home celebrating the music that falls between the gaps -- a place for adventurous listening.

Chinabot is positioned at the junction point between the influence of Asian music on contemporary/traditional sounds, music outside the mainstream and the development of experimentation. We work with composers, sound artists, improvisers and musicians to develop projects that rearrange the furniture of the musical world. We want to question our assumptions about what music is and where it can go."

"A stellar beginning to a new project well worth keeping an eye on as it gathers speed" – The Quietus

Samin Son

Samin Son is a Korean artist working in a range of mediums including painting, sculpture, video, installation and sound with performative strategies.His work has featured in exhibitions throughout New Zealand and on an international platform including Germany, Serbia, Taiwan, South Korea, Japan, USA and Australia.

He has also organised live music and art events with magazine White Fungus. For Solo 2014 Samin has created a deeply personal performance work based on a 1930s song from the Japanese occupation era of Korea that his grandfather taught him and how this song relates to his own experiences growing up in New Zealand and attending military service in Korea.

Pisitakun

Pisitakun is from Bangkok, Thailand. He started making visual arts and music in 2014 and is interested in music in different media environments. He uses a variety of inspirations in his songs, such as historical events, synthetic sounds, and musical instruments. In 2016, the album "Black Country" began to be prepared. In this album, Pisitakun is talking about a country full of dialogues between dark voices.

As Thai history currently unfolds under martial law following the military coup d’état on 22 May 2014 – the thirteenth since the end of the absolute monarchy in 1932 – Pisitakun’s practice represents a decisive break from many of his Thai peers: he questions fundamental and increasingly universal values without merely decrying the fact of corruption or offering neat palliatives.

Pisitakun's works are based on political speculation and the external and internal frustrations artists are subject to.

Lafidki

LAFIDKI is a London-based sound/visual artist, and founder of Chinabot, a platform and collective created to change the dialogue surrounding Asian music. LAFIDKI is the moniker of Saphy Vong, who has been releasing experimental electronic since 2008. He was born in a refugee camp in Phanat Nikhon (Thailand) to Cambodian refugee parents who fled Pol Pot's regime and was raised in France. He released his EP ‘Absynthax’ via Orange Milk records. He's a sound artist and conceptual collagist who performs around the world. His music is an confluence of ideas, synthesising multiple underrepresented histories, geographies, musical genres and cultural signifiers into compelling, colourful sonic material that packs contemporaneous dancefloor weight.

LAFIDKI has played at a number of international festivals: Donau Festival 2018 (Krems), VIA 2012 (Pittsburgh), Nuit blanche - French Institute 2016 (Kyoto/Japan), represented Cambodia at Tallinn Music Week. He has shared stage with Hype Williams, KXP, Tzusing, James Ferraro, Nightmares on Wax, Molly Nilsson, Andy Stott, Varg, Tropic of Cancer, Laurel Halo, Amnesia Scanner, Faka and James Holden.

https://www.chinabot.co/lafidki

Ayankoko

Ayankoko is David Vilayleck, a french with asian-laotian roots dedicated solo project which embraces experimental, concrete, contemporary music, sound art, noise, live electronics, free impro.