Tuesday 25 January 2022, 8pm

Cam Deas + Billy Steiger / what-if

No Longer Available

Delighted to present a very special, brand new 8-channel piece from Cam Deas!

Cam Deas

Cam Deas is a musician and sound artist based in London. His work is not subject to straightforward categorisation, with output ranging from solo acoustic guitar exploration through live electro-acoustic performance, to pure synthesis and computer generative music.

In 2018 he released Time Exercises on The Death of Rave, consisting of five works for synthesiser and computer, his first full length purely electronic work. The pieces explore polytempos and relative ratios between pitch and rhythm in a dense electronic space, described as “disembodied music playing out a thrilling dramaturgy and syntax of alien dissonance and disorienting rhythmic resolution”.

Billy Steiger

Billy Steiger is an artist working across performance, recording, drawing, and printmaking. This work often takes systems of reproduction, transmission and mediation as both material and subject.

Active/upcoming solo projects include:
- a proposed (re)history of technology, using the vibrating string as framing mechanism.
- an album of modified pipe organ recordings, to be released by OtoRoku in 2027.
- an ongoing investigation into audio compression algorithms and the artefacts and loss inherent to digital/analogue boundary states.

Active group projects include:
- O Yama O (w/ Keiko Yamamoto, Rie Nakajima, Marie Roux)
- X-Ray Hex Tet (w/ Paul Abbott, Edward George, Crystabel Riley, Pat Thomas, Seymour Wright)
- Portraits (w/ Daniel Blumberg, Seymour Wright)

Completed(?) solo projects include:
- composing and recording the score for Stacy Martin's short film Amaretti
- Box (for EKM) for piano and string quartet, premiered by Apartment House in 2024
- Loud Object, a 2023 violin record.

https://billysteiger.bandcamp.com/

what-if

"Whilst turning in old analogue radios, I was made aware of how white noise could be used for a different sound source. Frequencies, especially when they are of a radio station has a different dimension to your listening experience

My interests in experimental sound making, arises from going around and saying 'what if'. I found cooking implements such as pans and wooden spoons can produce interesting sounds. If I am in a cooking shop with pans, I tend to explore what they sound like.

Combining radios with cooking implements can result with innovative and original ways of using these mundane household objects."