Sunday 11 July 2021, 4pm
Electroacoustic music composer and multi-instrumentalist free improv performer Tasos Stamou will present a live version of his recently released album ‘Antiqua Graecia’ by Finnish label Ikuisuus. Being the last of a trilogy (two albums previously released by Discrepant), where Stamou is using clear influences dragged by his Greek music heritage, this work stands between antique experimentalism and future folklore; improvised solos with traditional instruments, live electroacoustic manipulations and use of folk tunes field recordings are combined into a sonic universe inspired by the idea of motherland.
Electroacoustic music composer and performer, alternative electronic music instrument maker, tutor and sound technologist.
During a decade of sound performances and recordings, Tasos Stamou has developed a unique style of live electroacoustic composition. Long and continuous pieces are created on stage or in the studio using a “portable electroacoustic music studio”. His gear consists of acoustic (prepared zither, reeds, recorders, objects) and electronic instruments (handmade electronics, modular synthesizer systems and live processed feedback loops). Based on sustained tonal textures and free improvised instrumental solos, his live compositions create a particular and unique atmosphere of ritual noise.
Although mainly a solo performer and recording artist, he frequently collaborates with other sound artists, improvisers and experimentalists (such as Adam Bohman, Alan Wilkinson, London Improvisers Orchestra, Mike Cooper, Andrea Parkins, Kuupuu & Lau Nau, Terry Day, Adachi Tomomi, Ilan Manouach, Ignaz Schick, Magda Mayas, Arma Agharta, Thodoris Ziarkas, etc.) at various venues and festivals for innovative music.
He is currently leading a workshop series exploring circuit bending & hardware hacking for experimental sound production.
Left Hand Cuts off the Right (Robbie Judkins) is an outlet for exploratory methods and composition. During live performances he plays with bent electronics, acoustic instruments, field recordings, loops and effects. The sounds are of otherworldliness, twinkling twitchings, habitual drones, crackling rhythms and aural oddities.
"His work gives rise to much pause and thought. Ambient if you’d like to call it that but not of the structured Eno variety, this being more improv sounding with radios, field recordings and broken electronics seeping like a heavy mist among somberly struck lower register piano keys. Imagine Keith Jarrett on Largactyl improvising sadness with his left hand while his right tries for some throbbing oscillating sounds all recorded in the basement of an abandoned Detroit theatre during a full moon. That's not far off." Idwal Fisher
He has created works for the Barbican, ICA, Resonance FM, Turner Contemporary, Whitechapel Gallery, University of Central Lancashire and more. Robbie is also the creator of Animal Sounds for Resonance FM, Parallax View for Threads Radio and is a member of noise punk groups Bruxa Maria and Casual Sect.