Wednesday 29 October 2025, 7.30pm
Attila Csihar, born in Budapest, also sometimes known as Void, is a Hungarian extreme metal vocalist, best known for his vocal work in Norwegian black metal band Mayhem and American drone-doom project Sunn O))). His music career began in 1985 in the Hungarian metal band Tormentor, which reached cult status in black metal circles with their first album, Anno Domini (1988). Tormentor performed 50-100 live shows between 1986-90 and become one of the most infamous band in Hungary of all times. After Tormentor he started his dark electro industrial band Plasma Pool (1990-1994). On the strength of his work in Tormentor, he was invited to perform vocals on the De Mysteriis Dom Sathanas album of Mayhem.
The Seer is a multimedia live performance that mixes heavy electronics with traditional song, spoken word and immersive video projection. Created by London-based artist Conny Prantera, the work draws on her poems, collages, and paintings, like fragments of a personal mythology that reimagines pagan and sacred iconography through the spectral lens of a new digital lore. In this alchemy of sound and image, ancient archetypes are recast in shimmering new forms, dissolving boundaries between past and future, real and unreal, like a solitary and collective fever dream.
Conny Prantera is an artist with a wide-ranging background in the visual arts and video production. With years of experience across diverse creative mediums, her work seeks a fine balance between sound, image and narrative. Her visual art practice spans painting, collage and digital media, often focusing on themes of mysticism, magic and folklore. Prantera's expertise in video and design brings a unique dimension to her live performances, creating an immersive atmosphere that blurs the boundaries between audience and performance.
The Seer has gained critical acclaim, earning a nomination from the Red Bull Academy as one of “7 Women Audiovisual Artists Pushing Boundaries and Challenging Perceptions.” It was also recognised by Elephant Magazine as one of “the Women Rewriting the Audiovisual Rulebook” and featured by The Quietus as part of “New Weird Britannia”.
